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TV21 #81 |
I tripped over the fact that Jonathan Wyke had an affinity for Frank Bellamy and in the interests of getting someone else to write my blog for me here is Jonathan...Seriously I'm grateful to Jonathan for sharing his insights and I've enjoyed adding links to the names I would list in the great pantheon (Perez has no official presence on the web, really?) and also browsing Jonathan's own art.
Frank Bellamy
I was born in Kettering, Northamptonshire
on the 21st May. On the exact date and in the exactly same place as Frank
Bellamy. That means nothing of course, unless you're a young lad, who's just
beginning to notice that the art in comics is done by different people. What it
means then is that you spend your time hunting down examples of Frank Bellamy's
work and pouring over them as if they're relics.
This obsession faded somewhat as I moved into my early teenage years
and was seduced by the 4 colour wonders coming from across the Atlantic. These
were exotic Marvels, and because I now knew to look at the art I began to like a
whole different pantheon of artists -
Byrne,
Perez,
Adams,
Kirby,
Kane - all great in their own way,
but all really coming from the same source. Their roots were firmly set in the
States, and didn't really speak to me. It was at this time I re-discovered Frank
Bellamy.
In Kettering there was a second-hand book shop - the type you really
don't see anymore - with boxes of books and magazines scattered around its two
tiny rooms. On the counter was one small cardboard box of old Marvel comics -
they were the reason I'd gone in, and as I was buying them (very early
Fantastic
Four and
Avengers issues at 5p each), the owner of the shop pointed out a stack
of annuals on the floor and said I might like to take a look. I added one to my
haul and left. It was of course an
Eagle Annual, and I went back the next day to
grab the rest.
Harris Tweed and his friends were interesting, but here was Dan
Dare. And here too was Frank Bellamy. Bellamy's strengths were many. His
draughtsmanship was without peer, but his
astonishingly dynamic layouts were out of this world. Where the American comics
I'd been reading were all pretty rigid - fixed grids broken up by occasional
splash page, Bellamy's ripped through that. Circular frames that dragged the eye
to them, cinematic viewpoints swirling around, fixing your focus onto what was
important. And the drawings. No more cartoon like figures. These were real
people. Real animals. Real spaceships. Frank Bellamy could make the
extra-ordinary real.
Dan Dare and Garth are I suppose the strips that Bellamy's most
remembered for, but my
favourites will
always be
Thunderbirds and
Heros the Spartan.
Heros is a particular love. Bellamy's inspiring use of colour.
The wonderful penmanship. The layout! This astonishing piece was begun in the
early 1960s and the dynamism of the narrative is, I believe, unsurpassed to this
day.
All of this influences me. From the first finding the coincidence of
our birth dates causing me to start to
draw, copying the crappy reproduction in the Kettering Evening Telegraph over
and over. The first thing I'd ever seriously tried to draw. To being blown away
by the re-discovery of his work which spoke to me far more than the stylised pieces coming over from the US. In
everything I draw I try to portray the subject with a realistic air, and that
comes directly from Frank Bellamy. My attempts at sequential narrative are
influenced by the European New Wave cinema, but Frank Bellamy was, of course,
there first too.
Frank Bellamy was our
Jean Giraud. Our Jack Kirby. His understanding
and mastery of the sequential form have never been surpassed, and I know that if
anything I ever did held even a slight reflection of his work I'd be a happy
man.
Regards,
Jonathan
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Eagle Vol 14 #39 |
Jonathan's presence on the Net enables you to view his terrific work. His blog "
WobblyLines and Blotchy Colour" sounds too self-denigrating for such a good artist and he has a space on the wonderful
DeviantArt site (took me a long time to realise this wasn't DeviantTart!) and he's on
Twitter too. I'm sure you'll all head to his comic art but I loved this sketch.
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St. John's Church, St. John Cornwall - by Jonathan Wyke |
And like a lot of us I bet Jonathan can't wait for the Heros reprint (yes another shameless plug for
Book Palace!)
Impresionante Bellamy. Un gran blog el tuyo, me encanta.
ReplyDeleteUn saludo