Frank Bellamy and Monty Carstairs

UPDATED 5 Aug 2015- see below
I suspect a lot of people have never seen much of the "Monty Carstairs" strip in the Mickey Mouse Weekly  and I love the 'controlled' nature of Bellamy's early work. As listed on the website Bellamy drew "Monty Carstairs" from 25 July 1953 till 26 June 1954. he drew four stories, outlined below. From the first episode he had the full page but from 12 December 1953 to the end of his run Bellamy loses a sixth of the page to a comic strip cartoon. All his art is linework in black and white ink. The other strips in the comic in black and white are interesting to compare to as even here, Bellamy's earliest regular comic strip job, he tries to break the panel boundaries in his artwork.

Before we get to Bellamy's work I thought you might like to see some of the rest of the comic to give you a bit of context.

Mickey Mouse Weekly 13 Feb 1954 - Cover

The cover of this randomly selected issue (of the few I own) is taken up with the popular and iconic "Mickey Mouse" which makes sense.

Mickey Mouse Weekly 13 Feb 1954 pp2-3

We then have "Donald Duck"; "The Misadventures of Goofy" and on the opposite page "Billy Brave and his friends" (the latter drawn by Tony Weare)

Mickey Mouse Weekly 13 Feb 1954 p4

Frank Bellamy's artwork for "Monty Carstairs in the 'Mystery of the Black Pearls'" takes up most of the page with Smith's "Prinny" in the bottom sixth of the page. In this example Bellamy sticks to the common layout within Mickey Mouse Weekly (MMW) but still manages to differentiate nicely the day from night and leaves us with a visual cliff-hanger

Mickey Mouse Weekly 13 Feb 1954 p5

One of Malcolm Saville's Lone Pine novels is serialised here "Seven White Gates" with illustration by F. Stocks May and the feature "Mickey Mouse Jungle Club" appears below

Mickey Mouse Weekly 13 Feb 1954 pp6-7

The double page spread on pages 6-7 has "Walrus and the Carpenter" (from the 1951 film "Alice in Wonderland"), "Walt Disney's True Life Adventures: Olympic Elk", "Jaq and Gus" (from Cinderella), "Mad Hatter and the March Hare" and finally "Snow White and the Seven Dwarfs". You can read my previous article on the True Life Adventures here

Mickey Mouse Weekly 13 Feb 1954 p8

Page 8 gives us "Marney's Circus in 'South Seas Island Adventure'" and "Popsy" by Davis.

Mickey Mouse Weekly 13 Feb 1954 p9

"Whitey and the Killer Whales" featuring 'Willie the operatic whale' from the 1946 cartoon The Whale Who Wanted To Sing At the Met, is next famous from the film Make Mine Music.

Page 10 featured "Robin Alone" (which I have seen credited to Tony Weare, Bill Lacey and 'Unknown' - I'll vote for the latter for this particular episode and Lacey for many others I've seen! - however David Slinn has identified this as Bill Lacey - see below and he credits my 'unknown' artist as Edward Osmond) and Donald Duck's nephews "Huey, Dewey, and Louie"appear at the bottom of the page

Mickey Mouse Weekly 13 Feb 1954 p10

Page 11 stars "Peter Pan in 'The Secret of Joshua Slogg'" and "Jimmy and the little old engine" drawn by the well-known (in UK comics) Neville Main and I see that he is credited when some of these strips were published in 1954 by Brockhampton Press.

Mickey Mouse Weekly 13 Feb 1954 p11

Page 12, the back cover, has a strip adaptation of Disney's film "Rob Roy" which premièred  26 October 1953 in the UK drawn by Patrick Williams (thanks David Slinn for the identification).

Mickey Mouse Weekly 13 Feb 1954 p12

Now let's get to Bellamy's art in "Monty Carstairs". The artwork is lovely and clear (if not in my photos, forgive me!) and it doesn't take long for Bellamy to experiment - strictly in the constraints of 5 or 6 row strip

MONTY CARSTAIRS

As far as I can see Monty Carstairs started some time just before April 1951 and was drawn by Cecil Orr, I think. (Issues I've seen in 1949 and up to December 1950 do not have Monty Carstairs). The excellent Inducks database says 25 August 1951 (unless I have misinterpreted and they mean the start of that particular story "The Green Dolphin"?). eBay searches show it's likely this might be the case as I have found "Red for Danger!", a Monty Carstairs Special agent cartoon serial story" mentioned for the issue dated 7 (and 24) April 1951. According the same eBay seller 7 July 1951 has the story "The Prisoner of the Chateau". Details are so sketchy for this series, if you can help I don't mind changing this.

The monocled Carstairs appears to be a common fictional device in the mould of Lord Peter Wimsey, who also wore a monocle and was the detective character created in 1923 by Dorothy L. Sayers.

1) The Secret of the Sands story has "the famous detective", "the prince of private investigators", "the gentleman adventurer" Monty Carstairs visiting Sandypoint Cove, Cornwall, where Tony and Mary Peers discover a German u-boat and some men who are up to no good!  We learn that Carstairs' bowler-hatted "Siamese servant" is called Mr. San, which could be translated from the Japanese as "Mr. Mr." - but kids were not so sophisticated back then and are likely not to have noticed this slight discrepancy!

 In the third row (above) we see Bellamy beginning to stretch himself and show something different.

I'm not suprised this is the page often reproduced as the villain looms large in intimidating the boy, especially with those thick lenses in his spectacles.

The second row here shows a telephone conversation - the pictures angled to add emphasising the device

2) The Mystery of the Musical Box has Sally Rogers and her twin cousins David & John visiting their Aunt Sophie's eponymous antique shop in Waterberry. But the story also involves an actual musical box too as the group solve the mystery of a missing painting

 

In this interesting page we see Bellamy's competent handling of architecture, internal and external. I wouldn't be surprised if the two buildings shown are somewhere around Kettering, his home town, - ask me sometime about the pub in Bellamy's Garth strip. I love the angles in this page too.

The middle panel here showing the car driving through a town, may not be perfect perspective but the houses look so interesting with a castle behind

I've blown up the panel that I love, with the description "beneath the starry sky that night..." we see the light of the moon shining in by virtue of the stark shadows and again detailing that makes the image so impressive.

3) The Mystery of the Black Pearls is the first story where Bellamy condenses the title to one panel (not the whole row as previously) in order to make room for the cartoon strip "Prinny" below. Joe is the orphaned nephew of Mr & Mrs Muggins (!) who own "The Shifted Anchor" pub. Joe, and a friend he makes, called Ann, help Carstairs solve the mystery.

Notice the third row and second panel above, where Bellamy, not uniquely, abandons the formal frame.In the example below he extends the last two panels across the usually 3 or 4 framed rows

Mickey Mouse Weekly 1954 February 13, p4

4) The Men from the East is unusual as it has a very grown-up theme, a missing British offical in Tibet and no children take part! I found the art to be rushed and not very exciting as it's set in Tibet there are lots of mountainous rocky outcrops which Bellamy was so adept at drawing but don't make for a great story. I think his mind was elsewhere at this point.

Strangely on 10 September 1954 the final story illustrated by Bellamy began its appearance in The Sydney Morning Herald and one part is available from the Sunday 26 December 1954 edition thanks to the excellent TROVE website. Can any of my Antipodean friends tell me more?

UPDATE from David Slinn (August 2015):
The most recent piece, covering the 1954 Mickey Mouse Weekly and your particularly detailed look at ‘Monty Carstairs’, was especially enlightening. Noting with interest, the resulting comments about how far ahead of “the field” he was, it does seem slightly puzzling this was Frank’s first major venture with a weekly strip. My theory, no more than that, is the post-war page-rates for adventure strips being pretty dire at the Amalgamated Press, and even more abysmal in Dundee, Odhams Press actually had – by comparison – a very generous scale of fees. Only when the Hulton Press entered the children’s market, was there anywhere else he could have earned, relative to magazine and advertising illustration, what he (or International Artists?) would consider – for the standards of artwork Frank strove to attain – a satisfactory living.

I’ve always regretted [despite, parental pressures on tidying-up, actually being responsible?] no longer having the issues of Mickey Mouse Weekly, sparsely purchased out of limited pocket-money, along with very early copies of Eagle.

I’ve a clear recollection of the first ‘Billy Brave’ story, starting in October 1950, when the Odhams’ title was enlarged and extensively revamped, to compete with Hulton’s phenomenal success. Billy’s hero was Stanley Matthews and the original story, drawn by Tony Weare, revolved around the frail youngster’s soccer ambitions, which were still apparently being pursued in February 1954. Briefly here: I’d say the ‘Robin Alone’ episode (though, it goes out of focus if enlarged) is Bill Lacey; as you mention, Tony Weare did draw some of the earlier series, while I’m fairly certain your probable “unknown”, was Edward Osmond – even, if it seems unlikely. The ‘Marney’s Circus’ adventure, has the look of being Tony Weare’s artwork, and therefore a reprint – which, over the years, particularly with ‘Robin Alone’, Odhams weren’t averse to utilising. ‘Popsy’ is the Roy Davis, of later prolific cartoon output and, while it obviously puzzled you, the ‘Rob Roy’ adaptation is none other than, Patrick Williams.

Frank Bellamy and Churchill at Sotheby's

Sotheby's is auctioning a copy of the Clifford Makins' version of his masterpiece (in my opinion) "The Happy Warrior", one of three special editions printed for the author, (Clifford Makins) the artist (Frank Bellamy) and the biographical subject (Winston Churchill). Why special? Read the links below to find out

"The Happy Warrior"

The estimate of Winston Churchill's own copy which sold at auction recently was £500 but went for a final price of £3,750! The Makins copy went for auction previously for £500 but presumably didn't meet the reserve, if there was one, and is now offered here by Sotheny's.

 Their description says the lot includes the most comprehensive interview with Bellamy from Fantasy Advertiser

MAKINS, CLIFFORD

THE HAPPY WARRIOR. THE LIFE OF SIR WINSTON CHURCHILL IN PICTURE-STRIP AS TOLD IN EAGLE. LONDON: HULTON PRESS, 1958

4to, FIRST EDITION, 48 pages of coloured picture-strip illustrations by Frank Bellamy on thick paper, plain photographic illustrations of Churchill, red leather gilt binding, silk endpapers, gilt edges. some slight spotting and browning

THIS IS ONE OF THREE SPECIAL COPIES PRINTED ON HIGHER QUALITY PAPER AND BOUND IN GOLD-LEAF EMBOSSED LEATHER. One was presented to the artist Frank Bellamy (sold in these rooms 17 July 1997, lot 410), one to  the writer Clifford Makins (this copy) and one to Churchill himself (sold in these rooms as part of the sale Daughter of History: Mary Soames and the Legacy of Churchill, 17 December 2014, lot 109). Also enclosed is a copy of Fantasy International (vol.3, no.50, November 1973) with an interview with Frank Bellamy and referring to the Churchill picture-strip; and also The Observer Review, 15 January 1967.

PROVENANCE:
The author Clifford Makins, editor of The Eagle; given to his successor as editor Alfred Wallace, thence by descent (letter by A. Wallace loosely inserted, dated 9 October 1996)

1,500 GBP - 2,000 GBP

As usual I'll update the sale price when the auction is over

SUMMARY

• WHERE?: Sotheby - English Literature, History, Children's Books & Illustrations
• SELLER:  [Lot # 36]
• ESTIMATE:£1,500-£2,000
• ENDING PRICE: 
• END DATE: JULY 4  2015
• No of bids:

Frank Bellamy and Menomonee Falls Gazette

Menomonee Falls Gazette 1972 September 4 No38

Menomonee Falls Gazette was published by Street Enterprises (who also published the cartoon strip equivalent Menomonee Falls Guardian) from 13 December 1971 - 3 March 1978. As a fan publication it changed size, number of pages, quality throughout its run but was always interesting. It had concurrent runs of approximately six daily strips for each title so you could read several days' worth of newspaper strips at once. The Wikipedia article lists some of those comic strip titles. There were also factual columns down the outside margins which had some interesting stuff as well as interviews - when space allowed. I suspect most of the time it was when paid advertising didn't fill the space.

Mike Tiefenbacher and Jerome Sinkovec (MFG's creators) not only included American adventure and soap opera strips (and some Australian) but also British ones too. They were James Bond with art by McLusky, Sydney Jordan's excellent Jeff Hawke, O'Donnell and Holdaway's Modesty Blaise, Paul Temple (by Durbridge and Phil Mendoza), Scarth A.D. 2195, John Burns (and Les Lilley) The Seekers, Peter O'Donnell and Alfred Sindall's Tug Transom.

In the MFG #37 (p.13) the announcement was made that the replacement for "Drift Marlo",

"... starting next issue, will be Garth, England's answer to Superman. After the final two weeks that Steve Dowling did before he retired [sic] (he created the strip in July of 1943), which will appear in #38 and #39 of the Gazette, Frank Bellamy takes over on the art chores. Bellamy is one of the finest craftsman in the whole of comic art and is admired by professionals and fans alike. Garth is the reincarnation of a Greek god, who has the habit of journeying into the past or present to fight tyranny - wherever and whoever it may be 

"Garth" was reprinted from the beginning of Bellamy's first story "Sundance" - 2 issues having John Allard's work until Bellamy started in issue #40 where 6 daily strips were presented on one page

The December 4 1972 issue has #52 on it but was in fact #51 (the James Bond cover), but issue 52 had the end of "Sundance" and the beginning of "The Cloud of Balthus" too, as strips were in blocks of 6. The reproduction was much better than the original Daily Mirror.

MFG #54 p.3
Richard West of Wisconsin

Initial reaction to this "new" strip, that we know about from MFG, was interesting and one wonders if the editors had a letter that covered a lot of points rather than representing the actual reaction. Max Allan Collins, the crime writer, applauded the new strip "By the way, I still can't get over how good Garth is." he said in the same issue.

 

Menomonee Falls Gazette 1973 January 29 No59

Jerry wrote to Bellamy in the early 1970s asking for clarification regarding John Allard's part in producing Garth, which they began reprinting in their Gazette (#40, 18 September 1972). Bellamy in his usual generous way replied and the two creators of MFG included it in the Gazette:

FRANK BELLAMY
Letter to Menomonee Falls Gazette
Published in no.81, July 2nd, 1973

A few weeks ago, the London MIRROR Syndicate told us that Frank Bellamy, illustrator of GARTH, would like to see a copy of the GAZETTE. We dashed off a letter to him and this was his reply:

First, I do hope that you will accept my apologies for the delay in writing to you. I have had, and still have, so many deadlines to meet that I have found it very hard to get away from the drawing board. I am sure that you will understand and I do hope that I am forgiven.

Secondly, very many thanks for writing to me and for sending a copy of the GAZETTE.

I can tell you that I was more than pleased to see a copy at last. I must congratulate you both on an excellent production. It's great. May I say here and now that I feel most honored to be included in the GAZETTE with such illustrious company.

Thank you for the complimentary remarks about my work. You are very kind. It means a lot to me to find acceptance in the United States. I was very interested to read about Al Williamson. As I am a great admirer of his work it gives me great pleasure to know that he is familiar with at least some of my work.

You ask about the functions of Jim Edgar and John Allard. Well Jim Edgar is the scriptwriter. John Allard was on the strip for a number of years before I was called upon to draw it. He sometimes letters the balloons. However, I now do all the drawing, but the credits remain. Sounds confusing... it is!

I will do my best to see if it is possible to let you have an original GARTH. The fate of the originals remains with the newspaper. In any case I would be pleased to draw a cover for you, when I can get the time to fit one in!

It's a pity that most of my strip work from the 50s until two years ago was in full colour gravure. It would probably have interested you. That 50s bit alone makes me sound very old! I guess that I am! When I was in the army during the war I was at one time next to a U.S. Unit. My home was surrounded by the U.S. 8th Air Force. Yes, I have a soft spot and affection for the United States, hence my thanks to you for looking at my work.

I would love to receive the GAZETTE and would like to thank you for your most generous offer.
May I think you both again for your kindness and consideration and trust that one day we will meet.
Take care and with many good wishes to you.
Yours sincerely,
Frank Bellamy

Interesting that Bellamy mentions the fate of the originals as his family eventually had these returned and thus they are scattered to the four winds in collectors' hands now. Anyway continuing the MFG letters.....

Menomonee Falls Gazette 1973 August 13 No87

THE PUBLISHED REPLY

Thank you, Frank, for doing such an incredible job on GARTH. Many of us remember your color work on such strips as THUNDERBIRDS and STAR TREK for the English weeklies also. We hope you continue GARTH for a long time.

In this article I've published all the covers that featured Garth (different characters featured on the cover spot starting in issue #17) and a page of strips. The benefit of these reprints at the time was the clarity of reproduction which was on better paper than the Daily Mirror in the Seventies.

Menomonee Falls Gazette (MFG) #95 had a lovely overview of how the editors gathered the strips from around the world and re-formatted them when needed and how they sent the prepared material to the printers. At this point it was a weekly enterprise! This "Statement of ownership, management and circulation" shows how many copies went out:

MFG #96, p.43

With the 105th issue they celebrated their third year and Garth appeared amongst illustrious company!.

Menomonee Falls Gazette #105

Issue #126 has a column where the editors share their financial position (an unfortunately regular feature from here on in)

Announcement in #126

Menomonee Falls Gazette #127 was the last in which Garth ran every issue. And this is how come I became confused about when and which issues Garth appeared in. People like Steve Rubin emailed me to let me know about discrepancies but I have now exactly mapped the episodes here

In issue 162, again there is talk of costs - this time "The price of Garth is still too prohibitive to restore it to weekly (in fact, it just went up at the turn of the year)." The thinking was to show the same quantity of strips but over a two week cycle.  In #185 the advert appeared for the STreet Enterprises Benefit Portfolio. In January 1975 Jerry Sinkovec wrote to Bellamy asking if he were able to provide a drawing that could be used in this benefit portfolio - the idea being that the money raised would help the financial situation of the publishers (who also ran the Menomonee Falls Guardian (a humor comic strip tabloid) and took over The Comic Reader in which they placed some of their comic strips from MFG when that folded). Bellamy's work did not appear so I assume that he couldn't provide anything, at that time. The Portfolio reads like a Who's Who of the comic world in the mid-70s. The tabloid sized 48 page portfolio book had over 60 artists providing 83 pieces of art: Jack Kirby, Joe Simon, Alex Toth, Syd Shores, Joe Sinnott, Jim Steranko, John Romita Sr., Neal Adams, Gray Morrow, Dick Giordano, Gil Kane, Michael Kaluta, Dave Cockrum, and Jim Aparo.

Issue 186 saw Garth appear in regular sequence but this was an even-numbered issue - so why was the strip there? The answer lies at the bottom of the 6 strips in that issue: "Still waiting for the new Jeff Hawke story, this is a temporary replacement". That situation went on until #194. Garth appeared on the cover of issue #200, drawn with other characters by Walt Simonson (see below). In #202 an explanation was given as to why the strip "Jeff Cobb" ended suddenly and Garth came, once again, to the rescue.

Menomonee Falls Gazette 1974 July 01 #133

Menomonee Falls Gazette 1974 July 1 #133 p.16

Menomonee Falls Gazette 1975 March 24 #171

Menomonee Falls Gazette 1975 October 13 #200

Menomonee Falls Gazette 1975 November 17 #205

Issue #220 had the awful notice saying:

This issue is a sort of a landmark, although one that we are not particularly proud of. This is the last weekly issue you will receive for at least a year, although we will be publishing twelve, monthly issues during that time. 

Issue 223 has the saddest account of happenings behind the scene and #224 announced the death of the Gazette but also its continuation! It limped along and in #227 announced "The Gazette is back!" and issue #232 was the final issue. Some strips moved to The Comic Reader #164 (January 1979) but Garth was not one!

I know how sometimes a small bit of information helps move research on a bit, so in that spirit I've inserted the two relevant pages for researchers from said TCR. BUT bear in mind the final sporadically-published issues might not be in this listing - as shown by Garth appearing until #232

The Comic Reader #164

The Comic Reader #164

CONCLUSION
These two guys deserve a Lifetime Achievement Award for what they gave fans of comic strips. Reading the columns where they shared the background to ordering, receiving, assembling, printing and distributing what was always a fan-publication was sometimes heart-rending. Their intentions were good but support (through prompt payments from comic sellers and numbers of subscriptions) was not enough to sustain the enterprise. A fascinating research project lies waiting for someone to write and Jerry and Mike are both on Facebook!

I have to thank the scanner of the copies I have - 'Pete The PIPster'  (and if you just want to see the covers - ComicVine has them) and the following people for helping me over the years:
Heinz-George, Allen Lane, Guy Lawley, Steve Rubin, Roger Clark and the last word goes to Jerry Sinkovec himself , who left a comment on the blog: 

Your confusion over the issues of The MF GAZETTE that included GARTH has a simple explanation. We expanded to 48 pages, and found we had overextended ourselves, being hardcore comic strip fans but terrible businessmen. It was hard cutting back, and some of the strips that were reprints went to appearing in every other issue. So GARTH was in the GAZETTE in every issue from #38 to 126, but appeared in just the odd numbered issues from 127 to 181. Most, but not all of the back issues of the GAZETTE and GUARDIAN are still available from me at Jerome Sinkovec, 4040 South 41st Street, Greenfield, WI 53221-1040. I have kept a storage unit full of them for years, not having the heart to throw all of them out.  ~ 18 May 2015

Frank Bellamy and Pictorial History Book (Part Two)

David Jackson has done a ton of work (and obviously has better eyesight than me!) in identifying signatures on pages of artwork in the previously mentioned Pictorial History Book in which Bellamy is credited with having done some artwork

Click here to see which works we have identified (scroll right down) - thus eliminating Bellamy from certain parts of this book. Unfortunately we are still not certain, but I have reproduced the two pages David, Jeff Haythorpe and I think are the Bellamy work so there's at least some artwork on this blog!

Page 178

Page 179

Frank Bellamy and Monty Python

Cover by Lolly Honeysett

Bert Fegg's Nasty Book for Boys and Girls was published in 1974 during the period in which I would recount the previous evening's Monty Python TV programme on the way to school. I always found some sketches hilarious and completely mad but others flew right over my head. But when I heard them re-told by friends at school I began to see the wit!

I wasn't aware, at the time, that Terry Jones and Michael Palin had written this book (I knew about the records and also the other books like Eric Idle's The Brand New "Monty Python" Papperbok) but don't know how I missed this. Perhaps it was a confusing title for booksellers as they wouldn't know 1) it was Monty Python authors and 2) whether it was for children. After all it had illustrations, cartoons, a cutaway (like the Eagle comic had) and even a comic strip.

The majority of drawings - especially of Bert Fegg, are by Martin Honeysett, who does a revolting job of presenting the demented doctor! A list of some of the contents appears in the Wikipedia article on this 62 page book. Some are too difficult to explain as I'm sure any reader will realise. 

Frank Bellamy was asked to illustrate a story about a cowboy called 'Kid' Masterson (a resonant name based on Bat Masterson, a friend of Wyatt Earp) and his horse Valiant. This appears on pages 30-31. Valiant has a problem, he suffers from bronchitis and has to visit the clinic, (where we see a nurse coming to the Doctor with a bucket and shovel!). Jones and Palin have fun with Germanic, East European names for the clinic and doctors; the names of the canyon, and hills and the sun sinking, the latter being the usual tropes of those brilliant spaghetti westerns, which Bellamy loved. The closing panel promises another episode "Next Week" which of course is impossible but emulates weekly comics in the UK at that time (or maybe TV serials). Valiant is obviously a loved but troublesome mount!

Frank Bellamy was paid £200 in May 1974 for the two pages. An invitation was sent to him by Geoffrey Strachan (Managing Director of Eyre Methuen Limited) on 8 October 1974 to attend the book launch on the 24 October. He states that Terry Jones and Michael Palin would be there together with John Pringle (a Director of Eyre Methuen). Whether Bellamy attended or not, or what he thought of the work, we don't have a record.But David Bellamy stated in his book how his father's sense of humour appeared in tune with Monty Python. In the 'acknowledgements' section on page 61:

Frank Bellamy: A liver and bacon addict from Morden, wishes to deny any association with Fegg but actually knows him quite well and did "The cowboy Story" for him.

A total, almost, revision was created under the title Dr. Fegg's Encyclopeadia [sic] of all World Knowledge (formerly The nasty book). It appeared in 1984 and has an alphabetical arrangement. Some of the previous work is used but rearranged and one significant addition is a double page spread on videos, the technology not being widely available in the time of the previous book.  Bellamy's work is reprinted on pages 94-95 in this edition

Between these two UK editions, there appeared in the USA another edition (1976) Dr. Fegg's Nasty Book of Knowledge by Terry Jones and Michael Palin. As it states on a site on the Net:

American version of "Bert Fegg's Nasty Book for Boys and Girls;" contains most of the same material as the original British edition but includes expanded content, 32-pages of additional material, and lots more color illustrations than the original; reverse cover has humorous bios of Terry Jones and Michael Palin in an attempt to mention Monty Python twenty times) Berkeley Medallion 1976 (U.S.) SBN 425-03084-395 (paperback)

I don't own a copy so don't know if Bellamy's piece appeared here too. Can anyone tell me please?

Frank Bellamy for German-speaking fans

Hans Kiesl (based in Nuremberg) wrote to me recently and shared two pieces of information I thought worth sharing further.

Mill's Gazette

Apparently Hans says that the Garth strips included in the above magazine are by Steve Dowling and that Bellamy's only work is this cover, a reprint of The Daily Mirror Book of Garth 1975.

He also attached a PDF of a three page article on Garth strip published in Austria.

I have included a link to this on my webpage of International reprints of Bellamy's work. As usual I'm grateful to Hans for what he calls 'minor' information, but which I still love to know about.

Frank Bellamy and "How the West was won"

Updated -see bottom of page

Radio Times 22  Dec 1973- 4 Jan 1974 p.27

I can't tell you how many westerns I've watched in my lifetime, but my dad, who loved western novels, and films died in 1982 and we watched loads together. But what's an 'oater'?
 
The thing that really caught my attention in the 1970s was Frank Bellamy's artwork in the Radio Times. I'd seen his "Heros the Spartan" and "Thunderbirds" comic strips, his "Captain Scarlet" and "Joe 90" covers, his Sunday Times work and of course his "Garth" strip in the Daily Mirror. But it was the design element of his work I loved.

One of my favourites appeared in the Radio Times, the UK's leading magazine at the time, published then by the BBC itself with only BBC programmes listed, dated 22 December 1973 - 4 January 1974. At that time Philip Jenkinson was reviewing the upcoming films for the Christmas period. This is what he said about "How the West was won":

Star-packed oater about three generations of Western pioneers. The best 'episode' is George Marshall's railroad sequence, but everywhere the giant screen visuals are too gimmicky for their own good. Terrific musical score

Did you see the word? Apparently, 'oater' refers to the feed bags that horses had and therefore were very common in westerns. Did you ever see one in a movie? I might have seen one, but 'common'? I don't think so, so where did that word come from?  The Oxford English Dictionary says it's a colloquialism for "horse opera also a radio programme or book of this nature" Its first usage recorded by them is "1946 Time 29 Apr. 94/2 The first successful storytelling movie made in the U.S...was what the trade calls an oater—a Western."

Oh well, let's get on. Why am I so obsessed with the word 'oater', it's because it appears beneath Bellamy's splendid drawing.

Radio Times cover 22  Dec 1973- 4 Jan 1974

Bellamy uses the episodic nature of the film itself and shows scenes representative of the Wild West.he shows buffalo, U.S. cavalry, an 'iron horse' a raft in a river, and some Indians (as they were called back then - my dad wouldn't have known the phrase 'native Americans')

The way that Bellamy has shown the wide angles of the three projectors process "Cinerama" is brilliant in my opinion. The title wraps from left to right and crosses the last word which fades from right to left. The curves continue to the right to show an apparent complete screen but it actually isn't equal in terms of the full screen curves and the edge of the filmstrip with its sprockets emphasises this incompleteness as we wouldn't see this in the cinema. The loaded scenery in the bottom right balances the left side of the image where, if we follow the receding word 'WEST' (notice it's in that stocky Playbill font!), we see a wagon travelling away from us, but also those famous Bellamy 'swirls' are emphasising the forced perspective in the word 'West'. Beautiful design! The experience in designing cinema cut-outs in the 1930s back in his home town of Kettering must have inspired his love of film and brought out this imaginative scene.

But interestingly the figure in the bottom right caught my attention as I immediately realised that it matches one of Alan Davis' polaroids that he rescued from the Bellamy house rubbish sacks

Cowboy shooting gun

Alan Davis polaroid

Thanks go to Alan for permission to use the photograph. He's a star!

As is Bill Storie for reminding me he's seen this somewhere else:

I knew I'd seen that cowboy before !! Wonder if the Hombre strip was intended to be a spin-off from the movie?? Was also a bit surprised to see the Radio Times pic again after so many years - haven't seen it since first published in the magazine - but in my mind's eye the version I thought I'd seen then had a steam train racing towards what looked like a wall of logs or a barrier of some sort and about to impact it rather violently. Weird - dunno if I'm thinking of another Radio Times illo by another artist - the old neurons are a bit fuzzy these days but even when younger I recall seeing that image somewhere and always attributing it to Frank. 

Blow-up from the famous photo of Frank in his studio

Frank Bellamy and Home Notes magazine

I don't think you'll enjoy this post on Frank Bellamy. Remember I warned you!

 

Home Notes 27 July 1951

 Home Notes, which was first published in 1894 by C. Arthur Pearson, Ltd., on every Friday  contained, as the Writers and Artists Year Book 1949 stated:

“Love stories from 2000 to 4000 words in length. Well written serials from 40,000 to 60,000 words. Dramatic but not sensational. Articles of topical, love, and domestic interest, 500 to 1000 words. Original designs in knitting or crochet.[…] Illustration: Three-colour cover and centrespread. Story and article illustrations in colour, line or wash”.  

Artists that appeared around the same time as Frank Bellamy were Fred Laurent, Ray Bailey, Peter Kay, Philip Townsend, and Leslie Caswell (with whom Mike Noble worked – who also worked on TV21 with Bellamy in the sixties).

Home Notes (23rd Feb 1951)
"Don't envy Louise", by Nancy Pearce p.15
"Louise pushed at him with her hands. 'Don't spoil our evening like this, Terry!'"

In total I have found Bellamy produced 5 pieces in black and white washes illustrating romance stories for Home Notes in 1951 with titles such as "Don't envy Louise", "Nicholas comes to dinner", and "Impatient heart". Little wonder then that “he hated those sort of girlie illustrations, static things which he hated drawing. It wasn’t his cup of tea at all, but he did them for the money. He wanted to draw something with a bit of guts to it.” (Nancy Bellamy from the interview with Alan Woollcombe, Speakeasy #100, 16 page insert, 1989 to accompany "The Unseen Frank Bellamy" exhibition).

Home Notes (30th March 1951)"Nicholas comes to dinner" by Norah Smaridge, p.6
"Sylvia wanted him for what he could give her, but Patty, shyly and secretly, loved him with all her heart."

During this period he also is known to have entered some of his own (non-commercial) work in his local Merton and Morden Art and Crafts Exhibition (18th to 23rd June 1951) perhaps to get out of the rut he had gotten himself into. The good news was that he was soon to go freelance and by the end of that year International Artists, Ltd. (founded in 1933), wrote to Bellamy to confirm they would act as his agent.

Home Notes (16th March 1951), p.7. "Something to remember" by Margaret Bathe
"'It's not my fault', he said angrily, 'if you wanted luxury, you should have married some other man'."

I only own two of these magazines so have scanned photocopies to fill the gaps for your pleasure and delight!

Home Notes (30th Nov 1951) "It happened on Sunday" by Constance Howard pp.12-13
"'I can't go on any longer,' she said, 'it's too much to bear

Home Notes (27th July 1951), "Impatient heart" by Judith Blaney, p.15
"'Oh darling!', she whispered, ' I thought you would never come home'".

UPDATE August 2021 - thank you Shaqui

 

Home Notes 8 February 1953