Al Williamson and Frank Bellamy recycled

Bellamy's art on "Dan Dare"
Eagle 7 Nov 1959 Vol.10 No38

****UPDATED: February 2023****See also Part Two

I recently saw a story drawn by Al Williamson, a great artist, on 'Groovy's' brilliant blog and remembered previously writing something on Williamson's 'borrowing' of others' work.Unfortunately none of my wonderful storage methods have enabled me to recover this work, so here goes again!

Referring to the first King Comics, (a short-lived comic book imprint of King Features Syndicate), "Flash Gordon" comic, the author (Mark Schultz, no mean artists himself) states:

"Produced under an intimidating deadline, the leadoff story in particular not only borrows from a Raymond but also features panels lifted cold from instalments of Frank Hampson and Frank Bellamy's Dan Dare, a British science fiction comic.  Williamson has been open about his "swipes" of the work of others, a not-uncommon practice in the comics field and one attributable to the constant deadline pressure.  He has always willingly given credit to his sources." (p.20) - Al Williamson's Flash Gordon: A Lifelong Vision of the Heroic, (2009), Flesk Publications. ISBN-13: 978-1933865126

 Indeed he did say such things, I'd previously noted in James Van Hise book "The Art of Al Williamson", that he learned about drawing using photographs from assisting John Prentice (read more here about that work) and after this kept a 'morgue file' as artists call their clippings before the Internet made it so much easier.

I should acknowledge that until today I was not aware of Eric Mackenzie's interesting article in Spaceship Away #3 - another strange coincidence whilst researching this topic. I did see the article on BritishComicArt blog and it was then that I thought 'Crow', the blog author, 'borrowed' from my article (which I suspect was in an old Facebook profile and lost now!) but as you can read in the comments, it was a coincidence! I also remember long ago in the 1970s reading (was it in Fantasy Advertiser Dez Skinn?) an article on the same subject, but that's long gone! However I think I have remembered something of this - see below.

So let's get started.

Firstly I quote Frank Bellamy's letter to Mike Tiefenbacher and Jerome Sinkovec of Menomonee Falls Gazette
Thank you for the complimentary remarks about my work. You are very kind. It means a lot to me to find acceptance in the United States. I was very interested to read about Al Williamson. As I am a great admirer of his work it gives me great pleasure to know that he is familiar with at least some of my work. Taken from Bellamy's letter to Menomonee Falls Gazette  Published in no.81, July 2nd, 1973.

Oh he certainly was Frank! The page above contains the following panel which we will see was a definite favourite of Williamson's!

Bellamy foliage from Eagle 7 Nov 1959 Vol.10 No38

Al Williamson's Flash Gordon #1, 1966 p.4
Note the shape of the foliage

Williamson à la Bellamy

UPDATE: I thought that was it until Bill Storie mentioned he'd see Bellamy's explosion appear in another Williamson work and he's sent it to me!

Al Williamson Star Wars

Al Williamson's Flash Gordon #5, 1967 p.28
Below an enlarged panel

Hmm, that foliage looks familiar

The most frequently spotted of Williamson's 'recycled' Bellamy pieces is the spaceship "Nimbus 2" Bellamy created in the "Dan Dare" story "Project Nimbus". Frank Hampson (Don Harley, Gerald Palmer, Keith Watson inter alia) created "Dan Dare" over a 10 year period before Bellamy, Harley and others took over. Bellamy, unfairly I think, gets a lot of criticism by those who were reading "Dan Dare" at that time because he was asked to upgrade things. Fortunately he agreed from the start to do it for one year and that's what his contract stated.

Bellamy's art on "Dan Dare"
Eagle 16 April 1960 Vol.11 No16

Al Williamson's Flash Gordon #1, 1966 p.1

...and Bellamy's Nimbus 2!

Williamson loved the craft so much he used another panel

Bellamy's art on "Dan Dare"
Eagle 7 May 1960 Vol.11 No19

Enlarged panel by Bellamy

Al Williamson's Flash Gordon #1, 1966 p.15 - see below for full page

An interview mentioned in Gopherville Argus (a short-lived fanzine on Bellamy, put out by Bill Storie and Terry Doyle) quotes an interview with Williamson (original source unknown)

From Gopherville Argus #3

Off I went...tanks?...Tanks...Ah, TANKS! Take a look at the tank on the right in the first panel and then....

The well renowned Blazing Combat (1965) #2

take a look at the tank on the right above Monty's profile - to the right of the page!

Eagle 21 April 1962

While I was researching this article, I found something very interesting. Remember I said I thought there was an article in Fantasy Advertiser, Dez Skinn's fanzine of the 70s, well my memory says it included this page by Bellamy but you know what memory is like - especially after 40 years!

Bellamy's art on "Dan Dare"
Eagle 9 April 1960 Vol.11 No15

Here's the panel in question I wish to highlight

Bellamy's unique hardware

Well whilst re-reading Flash Gordon comics I tripped over this page by the wonderful Wally Wood

The Phantom #18, 1966
"Flash Gordon and the Space Pirates"

One moment what's that hardware there? It looks familiar! So Wally Wood copied Bellamy, or did Williamson sketch for Wood to ink his work. Personally I don't think this looks like a Wood original despite the excellent Grand Comics Database entry. The figure of Gordon does not look 'Wood-y' enough for my liking.

Wally Wood copies Bellamy

 And before we round off Williamson's recycling of Bellamy art, I should point you to Bellamy's art above which shows the launch of the Nimbus 2. The first panel of that page looks very similar to this one:

The Phantom #18, 1966
"Flash Gordon and the Space Pirates"

The figure here certainly looks like Wally Wood's work but the spacecraft? I don't think it was his original idea!

UPDATE (17 May 2022): Lastly "HarryDobermann Esq" pointed out a later image I missed completely in the same Wood story! Look closely at the bottom right hand panel! Thunderbird One is go!

The Phantom #18, 1966
"Flash Gordon and the Space Pirates"

TV21 #77 has the following image which I'm guessing formed the basis for Woody's image. But who knows? TB1 launches with wings 'in', maybe that's why this copy doesn't look too true to the original. 

TV21 #77 cropped

Bear with me as I round off this article with two more examples of Williamson's use of the Eagle comic, although I must emphasize this is not Frank Bellamy artwork. the first is one of my favourite comic covers of all time by the UK's other Frank...Hampson.

Frank Hampson's art for Eagle 28 March 1959 Vol.10 No13
"The Galactic Galleon"

Take note of the rounded base of the craft. Williamson used the bottom of this craft as positioned in the above image, below!

Frank Hampson and Don Harley's art for Eagle 12 March 1960 Vol.11 No11

Al Williamson's Flash Gordon #1, 1966 p.15 -
see above for enlarged panel by Bellamy
and Hampson's gorgeous ship
Notice these three panes are all 'recycled'!

The craft, "Tempus Frangit" is so iconic in later "Dan Dare" stories as drawn by Keith Watson, I thought it worth showing this recycling by Williamson too. Take a look at the following - my post . Some of this is also mentioned here

Eagle Vol 14:41 12 Oct 1963
Keith Watson artwork

Creepy #112
Al Williamson art

Thanks to Eric Mackenzie's article in Spaceship Away #3 I also see now I have a copy, that Willimason borrowed from Don Harley and Bruce Cornwell

Eagle Vol 11 #52

One of a few adverts which Williamson
drew for various magazines for Union carbide

If you can add anything, let me know! And I must emphasise that I love a lot of Williamson's work and am in no way criticising his practice. Even Bellamy used reference photographs...more on that another day.

 

READ THIS FAR AND WANT MORE? Part Two is here

Frank Bellamy at Kettering exhibition ended.

I managed to get to the Comics Unstripped Exhibition at the Alfred East Gallery, Kettering previously mentioned a few weekends ago.  I must apologise for the blurry photos. I must get in the habit of cleaning my phone's camera before taking photos!

Paul Holder and I met Alan Davis - yes that Alan Davis! - on Saturday 30 July, more about this meeting another time, promise! We both went in to look around the exhibition, this being the first time I had been to the gallery, despite its history of showing Bellamy's work one way or another.

The gallery has two large very open exhibition spaces and all walls had artwork on them.

Biography of Bellamy

The biography is uncredited unfortunately but is substantially correct. It mentions Bellamy's call-up during WWII to "Auckland" - this being West Auckland, near Bishop Auckland - Deerbolt Camp to be exact. And it implies John [sic] Pertwee was a collector of Frank's artwork which is incorrect, although Jon Pertwee did write to say how nice the cover Bellamy did for the Radio Times January 1972 was.

Bellamy nearly takes up a wall

 One of the regrettable features of the exhibition was the labeling. I fully understand some fans might not want to be identified as owning the artwork, but some art were evidently prints, not originals and these were not differentiated. "Montgomery of Alamein" appeared to be prints, as did "Heros the Spartan" and the Disc Garth features. "David the Shepherd King" were originals. Bellamy photos were peppered around artwork and included the photo of Nancy Bellamy tied up as Lady Penelope for the Thunderbirds 6 film poster as well as a school photo - Bellamy is not identified. A glass cabinet displayed various magazine and comics in which Bellamy's work appeared.

Gallery Sales table and the right hand side of the 'Bellamy' space

Paul Holder who helped to set up a lot of the Bellamy artwork produced a booklet, with permission from John Morrow, using Paul's chapter from True Brit [Link to paper edition. Note the digital version is full colour and much cheaper - see below!]. The chapter is a biography of Bellamy with some nice accompanying artwork and photographs. You can still buy the digital edition of the whole of True Brit: A Celebration of the Great Comic Book Artists of the UK via Twomorrow's site (as outlined by John Freeman below).

From Garth: The Mask of Atacama (G182)

From: Garth: Bride of Jenghiz Khan (H301-303)
Owned by the Gallery

The three strips above are also reproduced in Alfred East Art Gallery: The Permanent Collection Guide, p.90. It also comes with a small biography (with a few unfortunate typos) but the guide also mentions Bellamy's involvement with the Kettering And District Art Society. It seems odd that the Gallery did not buy some of Bellamy's artwork which, in print form, were also on show here.

Various from Garth: The Wolfman of Ausensee

I enjoyed seeing the placement of oil paintings from the Alfred East collection alongside some comic covers, raising the perennial question of what is 'fine art'. Original art prices for comic covers are at a premium and in my head I was wondering which artwork I would take for a few thousand pounds, if they were for sale!

Placing original paintings from the collection with comic artwork

Overall, I have to say I'm a bit jaded having already seen a lot of what was on display of Bellamy's work, but it is so good to see his work being celebrated locally.

John Freeman has an article about True Brit and how to order high quality prints of original art by Bellamy and Colin Noble reviewed the exhibition for John's Downthetubes site.

Fans of Frank: Will Brooks and Frank Bellamy

Eagle 23 January 1960 Vol. 11:4, p1
Original art scan thanks to owner

Will Brooks works with digital art  and "is a freelance designer based in Cardiff Bay. His main work is Doctor Who-based, and previous clients have included Big Finish Productions and BBC Worldwide. Currently, Will provides photo cover variants for Titan Comics’ range of monthly Doctor Who titles".  Take a look at his gallery on Deviant Art and follow his Tumblr account.  He has become a follower of Frank Bellamy's work, and so I asked him to add some words to my infrequent feature "Fans of Frank" . Over to you Will....

Will Brooks

When I was first discovering Doctor Who at the tail end of 2003, most of my knowledge about it came from great big books I’d picked up at geeky specialist shops. Things like Justin Richard’s The Legend were my absolute bible. I’d sit there for hours just staring at the pictures from all these stories that seemed so far off and distant. While I’d started picking up odd VHS tapes from the library and the same geeky shops, I knew I was really better off waiting for the DVDs in many cases, and my calculations at the time suggested that at their current release rate, I’d not have a full collection until somewhere around 2025.

Everything I knew about Doctor Who came from books like that. Even now when I think of certain stories, the first thing that comes to mind is whatever image was printed as a full- or half-page in connection to them. It was in one of these books that I first came across the work of Frank Bellamy.

Radio Times 30 Aug- 05 Sep 1975, p.6
Note the punch holes - Norman was stupid in 1975!

Specifically, it was the gorgeous 3/4 page "Terror of the Zygons" piece for Radio Times [30 Aug1975-5 Sep 1975], with a terrifying but beautiful Skarasen lurching from the bottom panel while the Doctor muses on the nature of the threat they’re facing. Just in the way that I picture specific photographs when thinking of certain Doctor Who stories, when "Terror" crosses my mind, it’s [the above] image I see.

Radio Times 30 Aug- 05 Sep 1975, p.17
Such an unusual piece!

I’ve less clear memories of when I first saw the rest of Frank Bellamy’s Doctor Who work. Over time, it’s all sort of merged into that great big Who-flavoured soup in my head. That’s not to take away from any of the other art, though, because it’s all beautiful in its own way. There’s another piece from the Radio Times for "Terror of the Zygons" - a smaller, 1/4 page affair - which is very different in style to the first, but really sells those opening moments of the story. There’s a similar piece for the previous season’s "The Ark in Space", too, which brings together the Doctor, the Ark, a Wirrn, and one of the cryogenics bays in a way that’s more beautiful than any of the subsequent covers the story received for novelisations, or on video, or DVD.

Radio Times 16-22 August 1975 p34:
"The Ark in Space"

That "Ark in Space" piece might - just might - be my favourite one of these Radio Times pieces, looking at it again. Because it’s one that really sums up what it is I love so much about Bellamy’s design work. He’s got a way with layout, with compositing the elements together, that has rarely been matched in Doctor Who artwork since. It’s the use of negative space as much as the actual art itself - in this example the way the lines break up not only the distinct elements of the design, but cut across the images too. It’s an effect I’ve tried - and always failed - to implement several times in my own work. For now, I’ve decided it’s a technique best left to the expert.

Radio Times 16-22 August 1975 p34:
Norman's copy pasted in his scrapbook from the 1970s

It’s that real genius for layout that I love the most about Bellamy’s work, and it’s as distinctively ‘him’ as that terribly long signature that adorns so much of his work. It’s present in those preview pieces for Radio Times (as well as in his single episode images that accompanied many stories in the early 1970s), but it’s perhaps more obviously on display in his work outside the world of Doctor Who.

Eagle 23 January 1960 Vol. 11:4, p1

The more my interests around archive television have expanded, the more I’ve found myself bumping into Bellamy’s earlier work, and every time it’s instantly recognisable and totally distinctive. From his work on comic strips for Thunderbirds and Star Trek, and right back earlier than that to his time on Dan Dare in the late 1950s and early 1960s, his style is totally unique, so distinctly his. It’s also, dare I say, completely timeless. The way he arranges the panels on a page in a comic strip sets my imagination alight now at 27, so I can’t imagine what it did to a generation of kids opening up their copies of the Eagle each week to check in on their favourite pilot from the future. I’ve recently had a copy of the Thunderbirds Comic Collection as a gift (which means I can stop gazing lovingly at it in branches of Waterstones), and I’m pacing myself as I work my way through, taking time to really appreciate every page.

Will Brooks' montage a lá Bellamy
from Titan Comic's Third Doctor series

Recently, as a cover for an issue of Titan Comic’s upcoming Third Doctor mini series by Paul Cornell, I was able to try and mimic a bit of Frank’s work. It’s perhaps telling that of all the covers I’ve put together for Titan (it’s a lot, and the number keeps growing!), it was the cover that homaged his work that had the biggest impact. Every element is rather shamelessly cribbed from his style - the red circle picking out the Doctor is a lift from the Radio Times cover for 1972’s "Day of the Daleks", for example, while the lightning bolt and the way images are cut off comes directly from that "Terror of the Zygons" piece which introduced him to me.

Radio Times 1-7 January 1972 Cover
Much imitated, never bettered!

His style is totally ingrained in that period of the programme, and it suits the tones of the era. It’s a crushing shame he died so young, and I can only imagine what he might have done with covers to stories like "The Deadly Assassin", or "The Talons of Weng-Chiang". I’m at least comforted by the fact that there’s still so much of his portfolio out there for me to discover.

I rather like that while I started out as a Doctor Who fan who liked the work Bellamy did in connection to the programme, I can now claim to be a fan of Frank Bellamy in his own right. One day, if I’m very lucky and I wish very hard, I might even master even half his skill with layouts…

=========================================

Thanks a lot Will, for adding an entry to my Fans of Frank series where I unashamedly ask people to tell me why they love Bellamy. In return I am left to say, head over to Will's Tumblr to see his photographic collage work and follow links to Twitter, Facebook, Instagram, Behance, DeviantArt and even Etsy! When does he get time to work? I can't even post more than one blog article a month!

NEWS UPDATE: Frank Bellamy Kettering Exhibition and unseen artwork

STOP PRESS@ See below for pictures of the Exhibition as it's assembled 

Frank Bellamy - Masai Warrior

The Alfred East Gallery, Kettering, which has previously run exhibitions of Frank Bellamy's artwork is due to include some of his work in Comics Unstripped!. The Gallery explains, it will be "where we look at the history of comics and graphic novels. The exhibition features the original artworks by Kettering’s Frank Bellamy, including some examples from Garth, Thunderbirds and Dan Dare".

The exhibition, runs from 9th July to 20th August,and will have a booklet for sale, produced by the Gallery from Paul Holder's expanded digital version which will make a nice souvenir as it contains images taken from original art and provides the brief Frank Bellamy biography he wrote for "True Brit: A Celebration of the Great Comic Book Artists of the UK" edited by George Khoury. See the whole book - now a collector's item -  here on Amazon, but I'd recommend, if you can't attend, buying a digital edition which is cheaper and also has more content in colour!

Frank Bellamy souvenir booklet

Information for dates and times was found on the Council's website, and not the Gallery's but this was only announced today. The event includes:  

Super Heroes and Heroines Family Fun Day - Wednesday 3rd August, 1-3.30pm Join us for a family fun day in the Manor House Museum Gardens dressed as your favourite super hero or heroine! Come along to take part in craft activities, trails, face painting and lots more!

Comic Strip & Character Workshop - Saturday 23rd July, 11am-1pm & 2pm-4pm Learn how to create your very own comic strip and design your own characters in this 2 hour workshop for children aged 8 and above. The workshops cost £5 per child, (£4 with Leisure Pass) and booking is essential; call 01536 534 274.

There will also be prints to order which are "printed on 300gsm heavyweight archival fine art paper to the original size (approximately 41 X 63cm)" Although the original artwork will not be on display - as to my knowledge it still resides with the Bellamy family - there will be the opportunity to purchase prints (such as the Masai Warrior at the top of this article and the lovely artwork of Nancy Bellamy, Frank's late widow below) via the Gallery and postcards of other unpublished Bellamy works as well of his Thunderbird 6 film poster.

I suspect the dates mentioned on a Facebook event are wrong as some of the events listed on the council website take place after the dates mentioned. I have let the Facebook owner know UPDATE: Apprently Facebook only permits 2 weeks for an event!!!].

Lastly here is a piece not seen by very many people at all as it used to reside in Nancy's sitting room. She was an exceedingly liberated woman of the 50s and 60s and she felt very proud of this portrayal by her late husband

Nancy Bellamy by Frank Bellamy

Thunderbird 6 film poster postcard

Thanks to Jeff Chahal for these pictures on the Facebook Events page

9 Garth strips; Disc magazine, Heros, 2 Thunderbirds and Radio Times posters

Circus Posters, Montgomery (?), David the Shepherd King and others

Original Art: Garth on eBay - 'The Angels of Hell's Gap' (J56) 1975

J56 Garth by Frank Bellamy

Ant Jones, the organiser of the Garth Facebook page has let me know that an original Garth strip drawn by Frank Bellamy is on eBay.

The seller describes it like this:

You are bidding on an original signed Daily Mirror 'Garth' Cartoon strip from 1975 by the late great Frank Bellamy.

DIMENSIONS: Approximately 54cm x17.5cm

ITEM DETAILS: The strip carries the date 10-3-75 in pen, top right corner, and the number J56 denotes that it is from 'The Angels of Hell's Gap' episode from that year (1975). Considering that it is over 40 years old it is in extremely good, bright condition with no staining, yellowing or issues more serious than slightly blunted corners (see photos) and the pen-work is crisp and clear with the odd pencil outline and minor correction visible as you would expect. It has the Daily Mirror copyright stamp on the back (see photo) and would look great in any collection.

The start price reflects the increasing rarity and value of this great British artist's work.

The same strip sold £180 after 15 bids in April 2012

"The Angels of Hell's Gap" story ran originally in the Daily Mirror from 15 January 1975 - 2 May 1975 #(J12-J101) and was reprinted by, the sadly defunct, "All Devon Comic Collectors Club" in their Daily Strips: Collectors Club Editions No.13 [No date]  and also recoloured in the  Daily Mirror from Monday 21 February 2011 to Tuesday 12 April 2011 by Martin Baines (who is colouring "Freak out to fear" at the moment, which you can follow on Ant's Facebook page mentioned above.

And just for your enjoyment...

The opening strip from the story "Angels of Hell's Gap"

SUMMARY (Updated 24/07/2016  18/07/2016 05/07/2016)

WHERE?: eBay  
SELLER: Sweet4action
STARTING BID: £270.00   / Relisted at £300 Buy It Now or Make Offer / Relisted at £150 auction with reserve
ENDING PRICE: £260

END DATE: 4 July 2016   /14 July 2016 / 24 July 2016
No of bids: 6
No of bidders:3

Frank Bellamy for Italian fans

I have stuff sitting around and often think I must do something with these. Well today was a day off work - and we have voted to leave our colleagues in the European Union - so in the spirit of unity, it's with great pleasure I show you....some Italian reprints of Frank Bellamy's "Garth". But before I do I need to confess my Italian skills are non-existent! So much of the work and background comes from my reading of Italian webpages. Our friends in Italy have a long tradition of being fans of 'fumetti' (which derives from the 'smoke' balloons in comics) - some of which I find far too tasteless - but they have always valued British strips.

ALTER ALTER
I own four issues which have the following reprints in them:

• #9   (Settembre, 1979, Anno 6 numero 9) Garth: L'uomo bolla [Bubble Man] 18 pages
• #10 (Ottobre, 1979, Anno 6 numero 10) Garth: Il Globo di Trimandias [ The Orb of Trimandias] 20 pages
• #11  (Novembre 1979, Anno 6 numero 11) Garth: L'uomo Lupo di Ausensee [The Wolfman of Ausensee] 18 pages
• #12  (Dicembre 1979, Anno 6 numero 12) Garth: [no title] [The Women of Galba] 18 pages

Alter Alter #10 (Ottobre, 1979, Anno 6 numero 10)
Garth: Il Globo di Trimandias

"Le Donne di Galba" should have been the title for the story in issue 12 but the over zealous inker has wiped out the title in English without replacing the Italian equivalent (as he or she did quite interestingly with the "Wolfman of Ausensee" strip!). You can see larger images of the first pages of each of these four by going to the Checklist website

Alter Alter #10 (Dicembre, 1979, Anno 6 numero 12)
Garth: [The Women of Galba]

Alter Alter started as an off-shoot of Linus, which is still going today. Some of the artists whose work appeared alongside Bellamy will be familiar to a lot of you: Sergio Toppi, Moebius, Richard Corben, Will Eisner, Sydney Jordan, Estaban Maroto, Alberto Breccia etc. The four magazines I have are all in black and white with an eight page supplement in colour and run to approximately 108 pages. Bellamy did receive cheques from the Daily Mirror for syndication - the last of which was paid on 25 April 1977, he died in July 1976. I can't say whether the publications on this page paid syndication rights or not but the statement on the above reprints © Frank Bellamy, distr., News Blitz, Roma, seems to indicate this may have been the case. Whether Jim Edgar got payments too, I don't know.

On eBay, at the moment, are some Italian reprints which look to be standalone, but are in fact supplements from if, a magazine published in Italy from 1973 to 1985. I don't own any copies but have captured the ones on eBay and they are shown in full on the Checklist website

La Sposa di Jenghiz Khan

La Belva di Ultor

Gli Angeli della Gola dell'Inferno

I mentioned tasteless, and that's one area I have yet to explore in the interests of completeness! If I say "Fumetti Erotici", I think you get the idea!