More original artwork for sale

UPDATE
I have added the prices that these two pieces sold for. I'm amazed at how much they raised for the relevant party and pleased to see Bellamy at last become a major contender - to quote Marlon Brando!


Just wanted to alert you to the fact that right now there are two pieces of artwork by Frank Bellamy on Comic Book Postal Auctions. Look at lots #99 and 100.

The first is a double-page spread of the "Montgomery of Alamein" from - to quote the site"Eagle Vol 17 No 13 1967". Now that's the first time I've heard of this appearing so late in Eagle and as this looks like the original (note the lack of pasted title top-left) I can't imagine how they got the information. I believe it is an original of Volume 13:17 (28/04/1962). Mind you the entry does say "Gouache on board" and Bellamy always used inks for these comic pieces! And I'm not so pedantic to mention the spelling mistake in the title! Whatever the information, the estimate is a bargain in my opinion: £550-650 Let's see what it goes for as it looks in great condition. I'll add the result when it's finished

Auction ended December, 2009 at £2,849! In a recession as well! That's the highest amount paid for a Bellamy to my knowledge

Edited on 28 December 2009

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The second comes from "Heros The Spartan" and appears somewhat faded, but nice. The information for this one is right: Eagle Volume 16 No 11 1966. It's episode number 3 from the story called The Slave Army. Bellamy used inks again not gouache and the estimate is £500-550


Auction ended December, 2009 at £2,262!

Edited on 28 December 2009

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Escape from Aquatraz Volume 3 of the new series

John Freeman kindly passed on the following information from Marcus Hearn, which I hope he won't me quoting:

We're putting the finishing touches to Volume 3 now. I don't have a press release but I've attached the contents page and the jacket so that should give you what you need. It's restored to the same standard as the first two volumes and approx half the pages are scanned from original artwork.

cheers,

Marcus

The latest volume contains the following stories drawn by Bellamy:
ATOMIC RUNAWAY #192-196
ATOLL OF DOOM #197-202
THE MANAFU TRENCH #239-242

The first was reprinted once in the 1990s Thunderbirds comic (numbers 25-27 for those completists) as "Nuclear threat" and if you are Dutch in TV2000 # 1 - 3, 1969
The second was also reprinted once in the same Thunderbirds comic (#25-26) as "Hawaiian lobster menace"
And lastly Thunderbirds #42-45 had the only reprinting of the story titled "Danger in the deep".

I, for one, will be really pleased to see these stories again - especially if they contain a lot of the original artwork. The first two volumes (mentioned here) are absolutely gorgeous. Paul Holder and I spent an evening looking at each page and deciding how 1) the original artwork did not get reproduced so well in photogravure (surely the best there was at that time) and 2) deciding which pages were from the originals and which weren't. The reproduction in the first 2 volumes is so crystal clear that I couldn't believe how muddied some of the original TV21s were!

Fans of Frank Bellamy: Jon Haward

I tripped over an interview between Jon Haward and Terry Hooper with loads of fine examples of Jon's artwork, in which he praised Frank Bellamy. Click on the link and spend time there after you finish here!

I took the liberty of emailing Jon (via his website) asking if he could say more about the influence that Frank Bellamy had on him. He very kindly agreed to me publishing the following:

'What does Frank Bellamy the artist mean to me?'' Well firstly, he's my all time favourite artist full stop, he wasn't just a artist who worked for comics he was a all round illustrator who could draw beautiful nudes in stipple nib pen , he could illustrate film stars, animals, machines, planes, basically anything the Editors wanted he could draw.

He could design fantastic covers for magazines, he was a all round artist who had a terrific graphic design sense with shadow and colour and he used lettering to good effect too he was a master craftsman of his trade.

Radio Times 1st January 1972 - 7th January 1972 "Doctor Who - Day of the Daleks"

He was copied by other artists of his generation but none of them could match him , he was a one off, his work still has a freshness to it even after 33 yrs since he passed away

When I was at art college in 1981 my art history thesis special project was a book all about Frank Bellamy where I put interviews /art and my reasons why I liked his work I got a 70% pass for my efforts


Over the years as a comic pro I've been very lucky to draw Dan Dare and Thunderbirds and draw the odd Dr Who illustration all three Bellamy had drawn in his career, my work never touched his for style and impact, I admit my Dan Dare was one of my first jobs so I was a green horn learning as I went along , Thunderbirds was difficult I tried drawing it on cs10 board with coloured inks like Bellamy but it was a lot of hard work and being forced to draw the characters in puppet character proportions didn't help me either and I was never really happy with my efforts . Dr Who was a storybook so I could not go too wild with the artwork or design so you see I just couldn't match the master craftsman.

Eagle 7 November 1959 Vol 10:38 "Terra Nova"

Bellamy still inspires me I put little nods to him in my layouts with the odd character pointing to the reader and when I draw things in outer space I draw stars like Bellamy, my explosions I try and draw a Bellamy blast that breaks out of the panel box.

His work was very clever he could draw fantastic atmosphere with black figures and a one colour tone over them for background and it still looked terrific, he could draw fantastic fight scenes and amazing battle spreads (Heros), but what hooked me first was his work on Garth a black and white story adventure strip in the Daily Mirror. As a young boy I would copy and copy the art from my brothers scrap books of the strip my all time favourite is The Bubble Man a ''Mekon'' type alien who's ship had crewmen like giant insects I'm thrilled Spaceship Away are reprinting this work for a new generation to discover, I'm also pleased Book Palace books are reprinting his Swift work which is new for me to discover being a 60's child not old enough to see it first time round.

Eagle 3 August 1963 Vol 14:31 Heros the Spartan: The Eagle of the Fifth

Bellamy never handed in a bad piece of work ,he shows that the art form can be exciting and fantastic, dynamic and to me that marks him as a all time great of the medium of Art not just comics.

He died when I was only 11 yrs old before I could send him a fan letter or one of my drawing but he'll never be forgotten thanks to the Internet, publishers and fans like me who will always marvel at his wonderful body of work . Jon Haward http://jonhawardart.com/

I must mention Jon's involvement with the Classical Comics project. I've read both his Macbeth and Tempest as well as some others in the series, and have enjoyed them enormously. Mike Collins, who kindly contributed to this blog recently, has done a title in the series - Christmas Carol and a contemporary of Bellamy's John Burns has two titles in the series. And no, I'm not on commission! All the graphic novels are published in three simultaneous editions (see an explanation here) and are available in the usual virtual and physical bookstores.

Here's an example of a comic frame where Jon might have been influenced by Bellamy's habit of shaping the frame to enhance the breaking action! For the curious, it's Ariel, Propsero's sprite in the Tempest

Jon Haward's art from The Tempest

Bellamy art for sale

Head over to ComicArtFans Galleries as Terry Doyle is selling a lot of his tremendous collection!

You'll need to hurry as despite a recession, they are selling fast!

My favourite, which I certainly can't afford, is the Churchill strip from The Happy Warrior - but £2,500 is a bit much for me!. Also King Solomon's Mines because of its uniqueness and beauty- I blogged about it a while ago - and the price is £4,000 which because of the fact it was unpublished and a full centrespread is worth that sort of order, in my opinion. I recently browsed an art fair and saw far lesser lights sell for the equivalent or more than this.

Oh, and there are lots of non-Bellamy materials

Thanks for sharing the information Terry

ADDITION - Letter from Frank Bellamy

Thanks to Richard Sheaf for forwarding scans of the cover and the letter that was published in Fantasy Advertiser Vol 3:43, May 1972, I thought it worth showing both here



The cover is not by Bellamy, but by Jim Baikie (does he really not have his own website?) who I know best for his co-creation of Skizz in 2000AD. The date of the fanzine is May 1972 - eleven years before that work!

Anway getting onto the Bellamy connection, his letter is really listed here for the purists among us. Later an interview and a portfolio of Bellamy's work appears in Dez Skinn's wonderful Fantasy Advertiser which are brilliant if you ever manage to get a copy

Corrections

Paul Holder let me know that I have got a couple of things inverted on the website, so I thought I better correct them and let you know, just in case you keep a list locally from the website

On the page listing Bellamy's appearances in newspapers, somehow I inverted the cover descriptions of the 2 Garth Annuals for which Bellamy did the covers.

To set the record straight:

Daily Mirror Book of Garth 1975, London: IPC Limited, 1975 was the one with the 'portrait' cover of Garth with the Wolfman of Ausensee

Daily Mirror Book of Garth 1976, London: IPC Limited, 1976 was the one with the 'landscape' cover of Garth swimming

Interestingly both of these contain strips which originally were published in the Daily Mirror with nudity. Obviously an editor must have decided, despite the increasingly seen nudity on TV and in literature during the Seventies (one author I read said there was far more then than now!), that some bits should be covered up!

Titan Books reprinted the strips (excuse the pun!) - more authentically.

Paul also says:

Actually on looking at my copies they have listed in the contents "Cloud of Baltus" instead of "Cloud of Balthus" (missing off the 't'), and they've even got the title wrong on the 1976 contents. "The People of Abyss" instead of "People of the Abyss". Small points I know.

Frank Bellamy font available!

I've been on the Internet since 1992 before the web browser was even available - command lines are nowhere near as pretty as the web interface! I am still constantly amazed at what drifts past my radar even after 17 years!

I received an email from one Keith Bates and after checking out his website decided to ask him why he'd created a Frank Bellamy font, The reply came back:

Hi Norman,

I've admired Frank Bellamy's artwork hugely since I was a kid in the sixties. Beautiful line quality. He seemed to love lettering as well as oozing confidence with figures and faces. Exceptional use of tone, colour and texture. Frank Bellamy exploded the boxiness of the traditional British comic page layout. He made TV21 as good as American comics. I never read Garth but I liked to look at the drawings.

I was delighted to discover "A Cowboy Story' when I bought 'Bert Fegg's Nasty Book' in 1974. It seemed as if Frank was really enjoying that project, I remember at the time thinking how great his pen lettering was.

I recently bought a copy of Martin Baker's 'Artists of Radio Times' and was really disappointed (maybe I was outraged) that Frank only got a brief mention (p.43) and not even a single reproduction of any of the beautiful Dr Who or Biggin Hill drawings he made. I suppose that made me decide to make the Frank Bellamy fonts.

Many of K-Type's catalog are inspired by artists' lettering or handwriting, it's an honour to have Frank Bellamy amongst my greats.

Best wishes,
Keith Bates
http://www.k-type.com

One question....where on Earth do I put this on the website?