Frank Bellamy for German-speaking fans

Hans Kiesl (based in Nuremberg) wrote to me recently and shared two pieces of information I thought worth sharing further.

Mill's Gazette

Apparently Hans says that the Garth strips included in the above magazine are by Steve Dowling and that Bellamy's only work is this cover, a reprint of The Daily Mirror Book of Garth 1975.

He also attached a PDF of a three page article on Garth strip published in Austria.

I have included a link to this on my webpage of International reprints of Bellamy's work. As usual I'm grateful to Hans for what he calls 'minor' information, but which I still love to know about.

Frank Bellamy and "How the West was won"

Updated -see bottom of page

Radio Times 22  Dec 1973- 4 Jan 1974 p.27

I can't tell you how many westerns I've watched in my lifetime, but my dad, who loved western novels, and films died in 1982 and we watched loads together. But what's an 'oater'?
 
The thing that really caught my attention in the 1970s was Frank Bellamy's artwork in the Radio Times. I'd seen his "Heros the Spartan" and "Thunderbirds" comic strips, his "Captain Scarlet" and "Joe 90" covers, his Sunday Times work and of course his "Garth" strip in the Daily Mirror. But it was the design element of his work I loved.

One of my favourites appeared in the Radio Times, the UK's leading magazine at the time, published then by the BBC itself with only BBC programmes listed, dated 22 December 1973 - 4 January 1974. At that time Philip Jenkinson was reviewing the upcoming films for the Christmas period. This is what he said about "How the West was won":

Star-packed oater about three generations of Western pioneers. The best 'episode' is George Marshall's railroad sequence, but everywhere the giant screen visuals are too gimmicky for their own good. Terrific musical score

Did you see the word? Apparently, 'oater' refers to the feed bags that horses had and therefore were very common in westerns. Did you ever see one in a movie? I might have seen one, but 'common'? I don't think so, so where did that word come from?  The Oxford English Dictionary says it's a colloquialism for "horse opera also a radio programme or book of this nature" Its first usage recorded by them is "1946 Time 29 Apr. 94/2 The first successful storytelling movie made in the U.S...was what the trade calls an oater—a Western."

Oh well, let's get on. Why am I so obsessed with the word 'oater', it's because it appears beneath Bellamy's splendid drawing.

Radio Times cover 22  Dec 1973- 4 Jan 1974

Bellamy uses the episodic nature of the film itself and shows scenes representative of the Wild West.he shows buffalo, U.S. cavalry, an 'iron horse' a raft in a river, and some Indians (as they were called back then - my dad wouldn't have known the phrase 'native Americans')

The way that Bellamy has shown the wide angles of the three projectors process "Cinerama" is brilliant in my opinion. The title wraps from left to right and crosses the last word which fades from right to left. The curves continue to the right to show an apparent complete screen but it actually isn't equal in terms of the full screen curves and the edge of the filmstrip with its sprockets emphasises this incompleteness as we wouldn't see this in the cinema. The loaded scenery in the bottom right balances the left side of the image where, if we follow the receding word 'WEST' (notice it's in that stocky Playbill font!), we see a wagon travelling away from us, but also those famous Bellamy 'swirls' are emphasising the forced perspective in the word 'West'. Beautiful design! The experience in designing cinema cut-outs in the 1930s back in his home town of Kettering must have inspired his love of film and brought out this imaginative scene.

But interestingly the figure in the bottom right caught my attention as I immediately realised that it matches one of Alan Davis' polaroids that he rescued from the Bellamy house rubbish sacks

Cowboy shooting gun

Alan Davis polaroid

Thanks go to Alan for permission to use the photograph. He's a star!

As is Bill Storie for reminding me he's seen this somewhere else:

I knew I'd seen that cowboy before !! Wonder if the Hombre strip was intended to be a spin-off from the movie?? Was also a bit surprised to see the Radio Times pic again after so many years - haven't seen it since first published in the magazine - but in my mind's eye the version I thought I'd seen then had a steam train racing towards what looked like a wall of logs or a barrier of some sort and about to impact it rather violently. Weird - dunno if I'm thinking of another Radio Times illo by another artist - the old neurons are a bit fuzzy these days but even when younger I recall seeing that image somewhere and always attributing it to Frank. 

Blow-up from the famous photo of Frank in his studio

Frank Bellamy and Home Notes magazine

I don't think you'll enjoy this post on Frank Bellamy. Remember I warned you!

 

Home Notes 27 July 1951

 Home Notes, which was first published in 1894 by C. Arthur Pearson, Ltd., on every Friday  contained, as the Writers and Artists Year Book 1949 stated:

“Love stories from 2000 to 4000 words in length. Well written serials from 40,000 to 60,000 words. Dramatic but not sensational. Articles of topical, love, and domestic interest, 500 to 1000 words. Original designs in knitting or crochet.[…] Illustration: Three-colour cover and centrespread. Story and article illustrations in colour, line or wash”.  

Artists that appeared around the same time as Frank Bellamy were Fred Laurent, Ray Bailey, Peter Kay, Philip Townsend, and Leslie Caswell (with whom Mike Noble worked – who also worked on TV21 with Bellamy in the sixties).

Home Notes (23rd Feb 1951)
"Don't envy Louise", by Nancy Pearce p.15
"Louise pushed at him with her hands. 'Don't spoil our evening like this, Terry!'"

In total I have found Bellamy produced 5 pieces in black and white washes illustrating romance stories for Home Notes in 1951 with titles such as "Don't envy Louise", "Nicholas comes to dinner", and "Impatient heart". Little wonder then that “he hated those sort of girlie illustrations, static things which he hated drawing. It wasn’t his cup of tea at all, but he did them for the money. He wanted to draw something with a bit of guts to it.” (Nancy Bellamy from the interview with Alan Woollcombe, Speakeasy #100, 16 page insert, 1989 to accompany "The Unseen Frank Bellamy" exhibition).

Home Notes (30th March 1951)"Nicholas comes to dinner" by Norah Smaridge, p.6
"Sylvia wanted him for what he could give her, but Patty, shyly and secretly, loved him with all her heart."

During this period he also is known to have entered some of his own (non-commercial) work in his local Merton and Morden Art and Crafts Exhibition (18th to 23rd June 1951) perhaps to get out of the rut he had gotten himself into. The good news was that he was soon to go freelance and by the end of that year International Artists, Ltd. (founded in 1933), wrote to Bellamy to confirm they would act as his agent.

Home Notes (16th March 1951), p.7. "Something to remember" by Margaret Bathe
"'It's not my fault', he said angrily, 'if you wanted luxury, you should have married some other man'."

I only own two of these magazines so have scanned photocopies to fill the gaps for your pleasure and delight!

Home Notes (30th Nov 1951) "It happened on Sunday" by Constance Howard pp.12-13
"'I can't go on any longer,' she said, 'it's too much to bear

Home Notes (27th July 1951), "Impatient heart" by Judith Blaney, p.15
"'Oh darling!', she whispered, ' I thought you would never come home'".

UPDATE August 2021 - thank you Shaqui

 

Home Notes 8 February 1953

Frank Bellamy and Clifford Makin's copy of "The Happy Warrior"

Recently we saw one of three unique copies of the reprint "The Happy Warrior" come up at auction at Sotheby. It had an estimate of of £500-£900 but the price bid for it ended up as £3,750 (hammer price with Buyer's Premium)

Well, if you missed the Sotheby copy, get your money ready and run along to eBay where Alfred Wallace's daughter is selling the copy Clifford Makins was given. On the eBay page she explains:

In 1958 Hulton Press published in hardback format "The Happy Warrior", a pictorial biography of Sir Winston Churchill. The biography had previously been published as a weekly serial in the Eagle magazine for boys. The book was considered an important publishing event and to that end the printers, Eric Bemrose, produced a limited edition of just three copies printed on high quality paper and bound in gold leaf embossed leather. The three copies were presented to Frank Bellamy (the artist), Clifford Makins (the script writer) and Sir Winston Churchill himself. The copy listed here was the one presented to Clifford Makins and remained on the shelf in his office after his position was taken over by my father in 1962. This book is in very good condition and the pages are clean and crisp. There is some yellowing and the leather on the spine is slightly rubbed due to dusting over the years.


I've emboldened the interesting piece. I asked the seller, knowing I didn't want to get this wrong, who her father is and she promptly replied "Alfred Wallace". I was stunned, as children of my age (be quiet!) still hold great affection for "Alf and Cos" who worked their magic and informal style in the 'Power comics' of the 1960s. Their editorial and letter pages were great fun and so different from, what appeared to me to be, the aloof non- communicative D.C.Thomson (and other publishers!).

Lew Stringer (whose blogs are always worth following) had fewer references to 'Alf and Cos' than I thought, but there is at least one. 

'Alf' is 91 years of age and I've asked Melanie, his daughter, to pass on my message to let him know he is still held in affection by many comic fans.

The Happy Warrior - drawn by Frank Bellamy

Melanie has scanned the piece from Fantasy Advertiser (Vol. 3:50 November 1973) in which Bellamy told Dez Skinn and Dave Gibbons about the three leatherbound copies  - so your provenance for this book is excellent.

And just as a treat here's another page from the story

Episode 21 of "The Happy Warrior"

Now I wonder when Frank Bellamy's copy will come out of the bookcase? As usual I'll update the template below with information when the auction ends

SUMMARY

• WHERE?: eBay
• SELLER:  mellymelsells
• STARTING BID:£500
• ENDING PRICE: To follow
• END DATE: February 8 2015
• No of bids: To follow

Frank Bellamy original art on Heritage: Garth: People of the Abyss and Thunderbirds

I recently mentioned Heritage Auctions in America are selling 3 pieces of Bellamy Thunderbird artwork and wanted to let you know that they now also have a Garth strip for auction as well as another Thunderbirds strip. Heritage are so generous in giving us access to top quality photos/scans of the pieces. You can spend days looking at the beautiful archives on that site!

The Garth strip comes from the story 'The People of the Abyss' which was originally published in the Daily Mirror between 7 September 1972 - 23 December 1972 (#F211-F303). It's number F227. Apparently it contains an inscription from David Bellamy, Frank's son, which he most likely added when selling the artwork for the first time:
"This Garth original by my father, Frank Bellamy is dedicated to my good friend Jack Promo, who is the No. 1 Frank Bellamy fan of America. With all good wishes, from David Bellamy. 19 Sep 1977."

Frank Bellamy's art for Garth #F227

The Thunderbirds piece comes from the story "Visitor from space"  (or "The Jovian Eye" - one day I'll explain why we have multiple names for the Thunderbirds stories!) The story ran in TV21 #147 - 154 (11 November 2067 - 30 December 2067). It's been reprinted many times

Original artwork from TV21 #147 (Page 2)

I'll update the template below with the winning bids when the auction ends, but I thought you might like to see the two pages from the above story as printed (and scanned) in TV21 #147. Notice that this Bellamy colour piece is faded in the same way any of them do as a result of having them on display and the sun bleaching the colours! Still a great piece!

SUMMARY

Garth strip:

• WHERE?: Heritage Auctions Comics & Comic Art Signature Auction - New York #7104
• SELLER:  [Lot # 93028]
• STARTING BID: $1
• ENDING PRICE: $776.75 [£504.47] (inc. Buyer's Premium)
• END DATE: 21 Feb 2015
• No of bids:9

Thunderbirds artwork:

• WHERE?: Heritage Auctions Comics & Comic Art Signature Auction - New York #7104
• SELLER:  [Lot # 91332]
• STARTING BID: $55
• ENDING PRICE: $1,493.75 [£970.13] (inc. Buyer's Premium)
• END DATE: 19 Feb 2015
• No of bids:8

Frank Bellamy and a T-Shirt Rocket Design

T-SHIRT ROCKET DESIGN BY FRANK BELLAMY

Rocket design

In the 1970s, after a constant weekly deadline, Bellamy left regular comics work and took up illustrating 'Garth', in the Daily Mirror on a daily basis! To supplement his income he did illustrations for the Sunday Times Colour Magazine and the Radio Times. But he had always wanted to be seen as a 'serious' or fine artist rather than a comic strip artist and was proud of his work in these latter magazines.

In the early 1960s technology made it possible for Paul Hamlyn (who 30 years earlier had had success with "Books for Pleasure" - a cheap 'coffee table book' imprint) to found "Prints for Pleasure" - a cheap process meant low cost art for the masses. Even my Mum bought one as they were art at a very low price on a mock canvas! Bellamy sent in some of his work but there is no evidence to show any of these were accepted! One might see why when one looks at the sort of thing that was produced (Weeping children, heavily coloured sunsets, search Google for Zinkeisen Childhood as one certain example).

What does this have to do with the piece that is currently on sale on eBay, illustrated above?

You'll notice whoever framed this original artwork left the 8" (eight inches) visible at the bottom. This appears to be an art director's instruction as to the size this should be reproduced.And that's what reminded me I had seen somewhere that Bellamy had received payment for a design (or designs in the plural) from a printing and design company in 1970.

Equity Designers and Equity Printers Limited of 15-21 Ganton Street London W1 appears to have been run by D.K.Humby (Managing Director) and J. B. Blight (Company Secretary). Their publicity stated they were "Graphic designers, Lithographic and silkscreen printers". They asked Bellamy to produce three designs:

1. Small rocket motif £15
2. Large rocket motif £25
3. Take-off rocket motif £25

He was also to receive (in the pre-Decimal currency days) sixpence (2.5 pence) as a royalty for every shirt printed (with the company retaining copyright). Whether Bellamy ever did three designs I don't know. I never expected to see the designs at all! But I'm as certain, as anyone can be, that this is one of them. The 8 inches reproduction size makes sense for a T-Shirt design.

Bellamy loved sports cars and owned a Datsun 260Z himself and it doesn't seem far fetched to think he might have used the Daimler signifier SP250 on this rocket ship!

When I first saw this design I was reminded of something from a 'Thunderbirds' strip that Bellamy illustrated. TV21 #82, the last episode of the 'Atlantic Tunnel' story has the Hood trying to escape International Rescue. The fins on the aircraft are in my opinion similar.

The Hood's aircraft form TV21 #82

The seller let me know he purchased it at a fine art auction so the provenance is sound

 

I will update the sale details, as usual below, when the auction ends

SUMMARY

• WHERE?: eBay
• SELLER:  Dorseteleven
• STARTING BID: £129.99
• ENDING PRICE: £262.01
• END DATE: 12 January 2015
• No of bids: 2
  

Frank Bellamy and Gerry Anderson

Christmas gave me a chance to catch up on some reading - can I recommend a book to you?

Nice endpapers!

In a previous blog article I reviewed the Egmont reprints. This time I want to say a bit about the hardback called Gerry Anderson The Comic Collection  (click on this Amazon link to see a lot of the interior including the contents page)

Hardcover: 288 pages

Publisher: Egmont (2014)

ISBN-13: 978-1405272667

Retail Price £25.00

Lew Stringer reviewed the book here, John Freeman here and I'm not sure I can add a lot except to say it was such fun to re-read some of these stories for the first time in nearly 50 years! The artwork provided is some of the best of my childhood and reads like a Top Ten of British comic art: Mike Noble, Ron Embleton, and Eric Eden and of course Frank Bellamy. I even enjoyed the Angels and Marina stories which appeared in Lady Penelope comic!

It hit me whilst reading, that the title to the book is a bit odd - Gerry Anderson didn't have a lot to do with the comics side of his work but in the anniversary year of Thunderbirds, his most popular show, it made sense to include his name. If after reading the book you want to know more about Gerry Anderson's comics seek out Shaqui and friend's site (use the index on the left hand side to navigate)

Bellamy's contribution are the following stories:

1. "Revolt on Jupiter" from TV21 #179 - 183 (22/06/68 - 20/07/68)- the story the previous collection seemed to have missed - perhaps they heard me!
2. "Jungle adventure" from TV21 #235 - 238 (19/07/69 - 16/08/69)
3. "Danger in deep" from TV21 #239 - 242 (23/08/69 - 06/09/69) - is there a word missing?
4. "Seeking disaster" from the second series of the combined TV 21 & Joe 90 #1-4 (27/09/69 - 18/10/69)- only ever reprinted in the 1991 Thunderbirds comic

The latter story was a disaster (excuse the pun) for Bellamy as he seemed to have been really cut down. For this short story he produced one colour page; two colour pages; two black and white pages and finally two black and white pages! A real mess in publishing terms but actually the black and whites are lovely. In this reprint volume they are understandably coloured (copied from the colouring of the 1991 Thunderbirds comic)

I think that GF Willmetts' criticism in his review regarding Bellamy's artwork is somewhat justified in that seeing Noble next to the Bellamy artwork certainly shows a lesser Bellamy. However I don't know exactly why, but suspect the reproduction in the latter TV21s back in the day were poorer. And thus this reprint of a reprint doesn't help. But that logic would apply to Noble's work too! Oh well, this is still a great buy

I ought to mention Sam Denham's one page article on Bellamy,  but understandably it doesn't add anything to our knowledge but is nevertheless worth inserting here for younger people than me who might not know Bellamy!

Bellamy's last shot at Thunderbirds in TV21 & Joe90