Other Bellamy sales

I have updated my recent post to show the prices fetched for various original artwork by Frank Bellamy. I missed mentioning another unique piece by the same seller.

SOLD FOR £620 (with 18 bids)

"Probably done when starting his tenure on the Daily Mirror strip, perhaps to show the paper's art editor his treatment for the character? Interesting to see he has a cowboy theme going here, as Bellamy had a great love of westerns, a period of history Garth visited on occasion, notably on the 'Ghost Town' story"

... says the seller.There a quite a few of these character studies that Bellamy prepared for his strips - Thunderbirds, Heros, David the shepherd king, Dan Dare etc.

I wonder if Bellamy was told that he would join the Garth strip in a "cowboy story" - actually Garth is shown as a US cavalryman in Bellamy's first strip "Sundance" which ran in the Daily Mirror from 28 June1971 to 11 October 1971

The other far less impressive sale, but interesting nonetheless was for a poster that remains unidentified beyond being a reprint of the famous and often reprinted Radio Times cover of Jon Pertwee from January 1972. It sold for £18.43  and is sized 18 by 26 inches. The logo places it in time and I'm guessing was in a Doctor Who Magazine. The reproduction not very good as most of the subtle stippling that Bellamy did is lost here. Anyone know where this appeared?

More original art sales and Dez Skinn too

UPDATES AUCTION PRICES BELOW IN RED

Just got back from holiday in Scotland and so am catching up with emails, RSS feeds, etc. etc. Of course I found a Bellamy connection with the place I stayed but more on that later. Some call it obsession...I call it serendipity!

So here are a few quick Bellamy items

Thanks to Lew Stringer I was alerted to Dez Skinn's latest story regarding the "the ones that got away". If you take a look at the covers shown (reproduced below), you'll see Dez's love of Bellamy.

On eBay recently we saw 2 bids on a Garth strip from the "The angels of hell's Gap" story (episode #J65) which sold for £67

But even more exciting is the current auction of three more Garths, one of which is especially rare. It's the title panel of "The Man-Hunt" story of Garth (episode #K239). Why so rare? None of the other title strips have appeared in auction or for sale to my knowledge since I started watching the Internet in 1993.

SOLD FOR £410 (with 26 bids)

This seller is also selling an episode from "The Wreckers" story (#G267) and also an episode from "The Orb of Trimandias" (#F86)

 

SOLD FOR £99.88 (with 10 bids)

SOLD FOR £129 (with 17 bids)

The same seller is auctioning off a beautiful Thunderbirds page from TV21 #54. This, for those who don't know, is the third page in black and white that Bellamy produced. Unbelievably for 14 weeks he drew a full colour double page spread plus a black and white ink wash. And this is from the 3rd week.

NOT SOLD FOR £1000 BEST OFFER

I'll be updating this page with the final prices fetched. While waiting take a look at the piece sold by Comic Book Auctions site and the price realised on my updated post

Frank Bellamy writes letters

"Comic Media Vol 2 no 2 whole number 9" it says in the indices. This particular issue of Nick Landau's fanzine carried an extensive interview with Peter O'Donnell (Modesty Blaise's creator) and an advert drawn by someone called Dave Gibbons (end irony) but is more of interest to Bellamy completists because Frank Bellamy wrote a letter that was published.

This wasn't the only letter we know about.

Bellamy also wrote to Dez Skinn's Fantasy Advertiser and Mike Tiefenbacher and Jerome Sinkovec Menomonee Falls Gazette

Fantasy Advertiser Vol. 3:43 May 1972, (no page numbers) had the usual Battlefield! letter column and the first letter taking pride of place is by Bellamy (incidentally that Dave Gibbons artwork also appears here too!)

and lastly (until more are discovered) the one from Menomonee Falls Gazette

This brilliant newspaper/magazine was published reprinting strips from all over the world in black and white. Garth started on September 4 1972 with the opening episode of Sundance which was not illustrated by Bellamy. This seems odd but if the guys hadn't reprinted this the Bellamy  episode wouldn't help them understand the story. Bellamy actually started in September 18 number 40

Tiefenbacher and Sinkovec wrote a letter asking for explanation of Allard's role in the strip's creation Bellamy's reply is interesting. Follow the links above (and as usual click on the NOTE links) to see the full copies on the website

Dez Skinn, Dave Gibbons and Frank Bellamy

Used with permission of Dez Skinn

You may not know but Dez Skinn has started a website in which he recounts the early days of UK fanzines and his early publishing ventures. He is one of few people who interviewed Frank Bellamy, taking as he explains, his backup, Dave Gibbons:

Dave Gibbons and I did the interview, going up to Frank and his wife Nancy’s semi-detached three bedroom house in Kettering, Northamptonshire one Saturday morning. There were two of us so Dave could cover any “tricky” art questions which may come up.

Frank was, as ever, a genial and self-effacing host, seemingly oblivious to his standing as one of the all-time greats of British comics. As we spoke, his enthusiasm was apparent, undiminished by time, he was still able to be excited over the smallest of things. One example he scurried away to proudly show us was a letter from America. An editor at DC Comics had written, asking if Frank would consider working for them. While most historians and fans would consider this a retrograde step in his career, Frank was thrilled at the thought.

Both Archie Goodwin and Marv Wolfman corresponded with Bellamy back in the early 70s and as the Daily Mirror reported Bellamy won the Foreign Comics Award of the American' Academy of Comic Books Arts, of which Goodwin was President in June 1972.

Daily Mirror (16 June 1972), p.11
"The Victor" by Anthony Delano

"FRANK BELLAMY, who draws the Daily Mirror's Garth strip, has been given the He was the only Briton to be nominated (he lives at Malden,[sic] Surrey ), and came ahead of all other, as seen from America, foreigners.
The award covers his work over the years, including the Dan Dare strip for the boys' magazine Eagle. It also-gave a nod to one cartoon he drew in the Eagle series, Heros the Spartan. The Academy displayed it at an exhibition in New York. It shows a massive battle scene with a cast of 200" 

Dez tells the story of how he auctioned some original Bellamy pieces at the 1971 comic convention (one of which is shown in an old photo), how Bellamy drew an original as a birthday present for Dez and how Bellamy dealt with lettering problems and the restrictions in drawing Garth

Head over there and read some fascinating original material about Bellamy from Dez

Original Frank Bellamy art for sale: Thunderbirds

UPDATED AUCTION PRICE:
Winning bid incl. 10% Buyer's Premium: £3,726. This must be the most expensive Bellamy piece to date!

TV21 was going to finish in its first incarnation at number 242, but in issue 220 Bellamy was still producing lovely artwork. This story ran from TV 21 and TV TORNADO issues 218-226 (22/03/69 - 17/05/69). And as we have seen from the Reynolds and Hearn reprints, (the publisher's website seems to be down now!) the artwork delivered was extremely vibrant compared to the printed versions of the 60s even if in photogravure.

Front Cover TV21 220

Bellamy's 2 single pages (rather than the earlier double page spreads) are still full of action and great perspective.

Page 10 TV21 220

The second page of this story is now on the Comic Book Auctions site for previewing purposes. The auction will be opening soon - sign up for an email reminder

The scan on their site looks like this

http://www.compalcomics.com/catalogue/lot158A.htm

Lot # 158:
Thunderbirds original artwork (1969) drawn and signed by Frank Bellamy for TV 21 No. 220
Thunderbird 2 lands near Project City and the giant Mole is deployed to bore through the concrete walls with Virgil and Brains at the controls.
But the walls are live - they’re being electrocuted...
Pelikan inks on board 18 x 14 ins
£700-800

Glad to see Malcolm has realised Bellamy drew all his comic work (to my knowledge) in coloured ink! 

And finally here's the published version to compare (well, as best you can online!)

Page 11 TV21 220

As usual I will update this page when the piece is sold and price fetched announced

Happy Bidding - and tell Malcolm I sent you...he may send me a free catalogue, as I certainly can't afford to bid!

Frank Bellamy's book illustrations: Not too narrow ... not too deep

 1965 version by Frank Bellamy

I have just finished reading an interesting paperback from the 1960s as a result of learning a while ago that Bellamy did an illustration for it. The book in question is "Not too narrow...not too deep", the first novel by Richard Sale (born 1911 died 1993).

It was in the same year in that James M. Cain wrote one of my favourite films "Double Indemnity", Richard Sale wrote "Not too narrow...not too deep". This book of only 158 pages takes us from the steamy jungle prison camp with 10 (or is that 11?) inmates as they escape and buy a small boat to take to Trinidad, then to Cuba and into the United States. The daily drudge of scorching heat, water rationing and the endless swell of the ocean, is only interrupted storms at night and the loss of some of the escapees and by the musings of our narrator (a doctor) as he observes the interactions between all the occupants of the boat. The real story is who is this eleventh man? Who is Jean Cambreau? And how does he know the future of this group?

By the way, some reviews have been lazy in copying false information. I very much doubt that a prison break covering the distance from 'New Guinea' to Trinidad would work.  The reviewers obviously are mixing up the the largest island in the Indonesian archipelago -New Guinea with French Guiana, which on the northern Atlantic coast of South America.

 1950 version (artist unknown)

I enjoyed the book and was surprised how subtle the story's handling of this strange 11th man and how up to date the writing style is.  I could only see one line that made the book look dated (a reference to how the quantity of aeroplanes was likely to increase!) The atmosphere of unending heat, the availability of water - but none to drink - and their encounters on the mainland were very naturalistic. For those curious about the title, below is the relevant passage but don';t think the whole book is like this, it's not.:

"Listen to me," he said. "There is a town in Jehoraz not far from the old glory of Judea where an old Jew lived. He was very old and he knew that soon he would die, so he had his grave dug before he died to make certain that it would be just as he wanted it. When the grave-digger had finished, the Jew went to the grave and looked down into it and he shook his head and said: This grave will not do at all. The grave-digger was surprised. He'd worked hard and he considered it a good job, well done. So he said: What is wrong with this grave? Then the old Jew replied: I cannot lie in a grave like this. It is much too narrow and much too deep. When the day of resurrection comes, how shall I be able to scale the sides of it and come forth? With the bottom so deep. I will  not be able to climb out. With the sides so narrow, I will not be able to get a foothold. So the grave-digger made the grave shallower and widened the sides, and the old Jew was satisfied and returned home to die."

The book was adapted into a well remembered but renamed classic "Strange Cargo" starring Clark Gable, Joan Crawford and Peter Lorre amongst others. The fact there is no woman in the book (except for in a couple of pages before they set off on their journey) means we have the sexual tension (as best Hollywood can do in 1940) and romance. The best site for more information on the film is here . Roughly translating the non-English titles of the film versions from around the world: Spanish and Italian "Devil's Island"; French "The cursed/damned cargo"; Swedish "Flight/Escape"; and finally the German "The fantastic rescue" (which oddly is most appropriate in my opinion - read the book and you'll see why I say that.)

1936 version (artist unknown)

Sale (and his wife, Mary Loos) did adapt various stories to screenplays but not this one. Famously he directed the sequel to "Gentlemen prefer blondes",  "Gentlemen Marry Brunettes", written by his wife's aunt, Anita Loos  (1955).

Sale wrote lots of pulp stories in Argosy but also a series of 51 stories in Detective Fiction Weekly called Daffy Dill . To read one click on the link

 Pilgrim Books 1984 (Artist unknown)

Anyway back to Frank Bellamy. The latter part of the 1960s appears to be a time in which Bellamy concentrated on Thunderbirds (after he left the Eagle comic) for TV21. He also produced drawings for the TV 'Avengers' and an advert or three and not much else. This cover (no internal illustrations) illustrated by Bellamy has a brooding portrait watching over the boat at sea and is in my opinion a perfect rendition of Richard Sale's intent - the 11th mystery man, watching over the group. Is he a supernatural being, a devil, hypnotist or Jesus himself?

 Corgi 1971 (Illustration by Michael Codd)

Terry Doyle, the original owner of the original artwork, contacted me, he sent a message to Chris Power, a long time Bellamy fan who owns several pieces. Chris kindly forwarded this message with 2 clearer scans 

Hello Norman, I read your entry on Not Too Narrow, Not too Deep with great interest. I'm in the happy position of owning both the original and also a preliminary of the cover, which I acquired from Terry Doyle some years back. The originals are absolutely gorgeous, very rich and vivid in their use of colour and fascinating as they gives us a glimpse of an unpublished preparatory work almost the equal of the finished piece. I think the final cover is the stronger, maybe because the 'face' is looking down from the right? It's certainly more 'worked' than the unused picture. Was this Bellamy's own decision? Or had someone from the publishers Corgi asked for a further option? The unused version is certainly worked up to a level where you could imagine it being used. 

Discuss.
I must say your blog is an excellent resource for those of us bewitched by Bellamy's work. 
Long may it continue. 

Below are the finished piece together with a preliminary or rejected piece.

The original painting is a lot brighter in colour than its published counterpart. Having the book, I believe the 'devilish' eyes of the right hand portrait (which was either a preliminary or a rejection) appear to me to lead the reader in one direction that I'm not sure the author meant to portray

Finished artwork

Preliminary / first artwork

Many thanks to Martin Baines (for providing older rough photos) which led to Terry Doyle nudging the current owner, Chris Power, to send me the clearer pictures above!

Bellamy and the Postman always rings twice

Chandler, Hammett.and James M. Cain. 'Who?' you ask. The third name is not often quoted as being among the founders of the hard-boiled detective novel of the American early 20th century. These authors of noir classics inspired a decade of MGM and Warner Bros. lone detective stories. Femme fatales, heroes who are no good but who take the consequences of their actions when the time comes and so on. Cain's other works made into films include Mildred Pierce (starring Joan Crawford) and my favourite, directed by Billy Wilder 'Double Indemnity' starring Fred MacMurray and Barbara Stanwyck.




But I want to concentrate on "The Postman Always Rings Twice" the 1934 novel which was thought to be inspired by the Ruth Snyder case in America. Frank Chambers (John Garfield, in the original film) is a drifter who stops at a rural diner for a meal, and ends up working there. The diner is operated by a beautiful young woman, Cora Smith (Lana Turner), and her much older husband, Nick (Cecil Kellaway). It soons transpires that the appearance of the young brutal drifter inspires Cora to chase her dream of being free of her disappointing life and together they plot her husband's murder.



The steamy opening to the film begins with the line "It was on a side road outside of Los Angeles. I was hitchhiking from San Francisco down to San Diego, I guess. A half hour earlier I thumbed a ride..." We see a man with itchy feet enter a gas station. He tears down the "Man wanted" notice, enters the diner and sits - being served a hamburger by the friendly owner. Nick, the owner has to leave him to watch the burger, as he goes out to serve a customer that has just arrived at the pumps. Suddenly in the quiet cafe, a noise is heard and the camera follows a lipstick rolling across the floor. The camera, acting as the narrator's eyes pans along the path the lipstick took and hesitates on Lana Turner's feet, and travels partway up her legs. We then see her full figure in a two piece with 40s shoulder pads and hot pants. The lighting is pure film noir shadow, but not obscuring the beautiful 'sweater girl' as she was known.



Steve Holland very kindly sent me scans of a postcard used to advertise a 1980s exhibition of Bellamy's work - more on that later. Bellamy has chosen to compose an illustration showing Cora, a self-possessed woman looking at the guy peeping through the cafe door. The other elements are a circular barstool and a glass display stand with sloping front used in cafes to display their wares. Bellamy's use of shadow here must have come from his work on cinema hoardings and cut-outs that we know he produced while at Blamire's Studio in Kettering in his early life before heading to London and his later comic strip work. The work also shows his earlier signature - more cursive than the later one - and puts the piece firmly in the pre-1950s. But after that we have no idea of where the piece is now. It was shown (the reverse of the postcard is below) at the exhibition "Unseen Bellamy" at the Basement Gallery, Brixton, London between the 15th of July and 3rd of September 1989, 13 years after Bellamy’s death. Several of the pieces that were sold have been tracked down and the corresponding catalogue (see here for details)  which was published illustrates this very piece. But I'm grateful to Steve for this version as it's much clearer and in monochrome colour. The rear adds a bit of information I didn't know - there was a private pre exhibition viewing. I would have loved to have been there. I would guess among the invited would be the late Bob Monkhouse who collected many of Bellamy's works.

This appeared as Catalogue entry number 3 "The Postman always rings twice" by Frank Bellamy....and needless to say if you bought the original at the event I'd love to hear about your experience.