Bellamy and Doctor Who

I recently had an email that asked whether I knew anyone who could loan the Cartoon Museum some Bellamy art for a forthcoming exhibition. Good news, if you haven't heard already, the exhibition is now on.

Cover art by Paul Grist and James Offredi

I was privileged to be invited to the Private Preview and attended with a friend who contributed one of the pieces of art. I met the fantastically friendly Lee Sullivan (see his work here) who was so interesting to listen to when critiquing Bellamy's artwork and a fellow Mike Noble fan. And by now you will have seen his original art of all the doctors in one lineup (if not click on the link!) Thanks Lee.

I also bumped into another really nice guy. Mike Tucker told me he works on the special effects on Doctor Who. Far too modest - see his wiki entry and his website. We discussed various pieces of the artwork hanging on the walls and we both couldn't believe that some of the artists for even recent pieces were unknown. I casually asked him if he enjoyed his job. He answered quick as a flash "I get to build models and blow them up, yes, I enjoy my job!" Good to meet you Mike

Now before I forget who this blog is about, and before one of you says, Frank Bellamy didn't do any comic artwork of Doctor Who ........you are incorrect.

The Radio Times for 3 - 9  April 1971 had a panel of Bellamy's artwork - which would appear the following week

Radio Times for 3 - 9  April 1971

Then we got the Radio Times dated 10 April 1971 - 16 April 1971 in which he illustrated, in a special feature, the Doctor Who story "Colony in Space" with 2 full colour pages and two half page black and whites.

Copyright Radio Times

Scanned from Time View: Complete "Doctor Who" Illustrations of Frank Bellamy

However the two pieces at the exhibition by Frank Bellamy are not from this story and are illustrations which accompanied other Doctor Who stories. But who's (sorry!) complaining when the exhibition brief is stretched a little? It's always amazing to see Bellamy originals - and these two are in particularly good condition. I won't tell you what they are but would encourage you to attend not just for Bellamy, but for the great artwork by Lee Sullivan, John Ridgway (fantastic linework from 'Voyager' the graphic novel), Gerry Haylock (cover of TV Action), John Canning (TV Comic) and the fanatical fan of Frank Bellamy, Dave Gibbons (of Watchmen fame). This is a only a small list of what's at the Museum as well as there standing exhibition which includes Reid, Baxendale, Riddell, and many other UK comic/cartoon artists

Thanks for the invitation Anita

Norman

P.S. There are lots of reviews on the Net, but this one has some pieces from the exhibition and a review here

Bellamy and the British comic conventions

It's really hard work classifying the work that Frank Bellamy created. I  have followed the original layout by David Jackson, myself and many more in placing work in one of these categories:

Comics are straight forward, or you'd think so. What about Look and Learn - was it a comic or a children's magazine? This category includes reprints (as do the others) so that should someone want to check the list (thus the name 'checklist') they will find any comic - whether reprint or original. But what about comic strips in annuals? 

Annuals section contains those uniquely bound hardbacks the UK have been producing for decades. Bellamy produced some comic strips but otherwise illustrations to support a story.

Magazines is where Bellamy did many single or multiple illustrations - some he loved and was proud of (Everybody's) and some he found a burden to do (Home Notes). But what is a magazine? One definition states the origin comes via French for the Arabic for a storehouse (and thus the military use). But I'm thinking of the OED definition:

magazine, n.
 
A periodical publication containing articles by various writers; esp. one with stories, articles on general subjects, etc., and illustrated with pictures, or a similar publication prepared for a special-interest readership.The use of the word (rather than periodical) typically indicates that the intended audience is not specifically academic.

Third edition, March 2000; online version June 2011. <http://www.oed.com/view/Entry/112144>; accessed 25 June 2011. An entry for this word was first included in New English Dictionary, 1904.

If we accept a periodical (i.e. regular appearance) do we include annual/semi-annual comic convention brochures? Libraries, the experts in classification, debate the point. When is a standing order different from a journal subscription?. We'll come back to this in a minute.

Newspapers - that should easy but even here, is the Sunday Times Colour Supplement a magazine or newspaper? I go for the former

 Aren't annuals books? Not for purposes of this classification, otherwise yes, books are books including reprints

Advertising This category is a tough one. I could list every instance of one advert (Walls Wonderman), and I just might, if any more come forward; Should I list an instance where a fan uses a Bellamy comic convention logo and adjusts the year - yes, I think so.

Media This is for any TV or Radio appearance of Bellamy, his Thunderbird 6 film poster is under 'advertising'

Unpublished a mix of all sorts. I am aware that some of these have been 'published' - for example in fan magazines, and the Internet if nowhere else but felt this category allows me the nearest to miscellaneous! I have seen all these but some remain 'hidden' at the owner's request

Unseen Bellamy solely an excuse to highlight a major exhibition that features large in Bellamy lore. It also allows me to list items, some of which have never been published, and helps us to identify pieces - for example by Jeff Haythorpe and Tim Barnes who were at the event

Articles and books about Bellamy the final category that shows some obsessive tendencies. It includes some large articles on Bellamy but also some peripheral mentions of his art. I could add loads to this and when I have free time I do! Hopefully the descriptions help people select what they need and avoid any really peripheral mentions!

I wanted to clear up one massive mess I have helped perpetuate. But thanks to Dez Skinn's sterling efforts, I have now re-classified some of the comic convention programme covers, adverts etc. I have used Dez's web pages (http://dezskinn.com/fanzines-3/) and wonder now, shouldn't I be adding a category of published webpages (but, oh dear, what about Twitter feeds, Facebooks notations?), no, that way lies madness! But let me know what you think.

Enjoy my cut down version of Dez's webpage (used with permission of the kind guy) with the emphasis obviously on Bellamy. Read the full story from the eyewitness accounts Dez shares

Skinn states:
"Frank Bellamy came along with stacks of his old Eagle artwork and gave an amazingly in-depth talk on the trials and tribulations of working on Dan Dare and Garth as well as his enjoyment on Fraser of Africa and Heros the Spartan."

"Frank Bellamy was so chuffed to be the guest of honour at Comicon 71 that he produced five new colour visuals for us to auction off. [The photo below left] shows a bearded young Dez holding one of them" - this is mentioned as "Fantasy figure"in the 'Unknown' part of the checklist and to our knowledge never been published. And yes, I have asked Dez but he can't remember the other pieces (however, Dez's note accompanying 1978 states we do know one more)

"Below is one of the stunning pieces of art Frank Bellamy created especially for the event. It was unexpected and too late for a place in the convention booklet, although all of them did finally make it into print in later years."

Not used in 1971

The emboldening is mine and explains one of those mini-mysteries, how the artwork states '71' yet didn't appear anywhere with this.See 1981 below

The famous Doctor Who artist Andrew Skilleter, wrote a review of the 1971 convention and focussed on Bellamy. Nancy Bellamy accompanied Frank - I wonder how she enjoyed it? I know she has mentioned it in the past as being impressive.

Skilleter gives an insight into Bellamy's working practice when he reports on a Q&A session in which Bellamy says "how he would read through the script, marking frames 'Large', 'Medium' or 'Small', ignoring the scriptwriter's notes as to 'long shots', 'close-ups', etc. and then starting work on the layout pencils, trying for as much dramatic effect as possible."  

The piece below was designed by Bellamy for the 1973 convention which never took place.  Fortunately the '3' could easily be changed to a '5' - see below

Not used until 1975

1973 logo slightly amended

Skinn: "Something of a recovery began with Comicon 75. Rob [Barrow] used (yet another) Bellamy visual for its promotion, a superb piece of design actually created for the aborted Comicon 73" .

Bellamy died in July 1976 and unfortunately this meant the publicity for the 76 con would not in fact appear. Skinn says: "Unfortunately, the artwork promised in the progress report by Frank Bellamy and Jim Steranko was noticeable by its absence". The flyer included the piece produced for Comicon'73, and the promise of material by Bellamy.

 

The actual booklet (with a wraparound cover by Trevor Goring) only mentions Bellamy on one page:  "In memory Frank Bellamy 1917-1976"

In 1976 Gifford also ran the Comics101 event to celebrate the 101st birthday of British comics (based on Ally Sloper's Half Holiday (1884)).  Bellamy managed to provide Gifford not only with his final comic strip - for his newly launched "Ally Sloper" but also this piece for his Comics101 convention booklet

Skinn mentions that the cover for the 1978 Comicon brochure by Bellamy is "Another Frank Bellamy visual (one of those he had produced for the 1971 convention auction) finally surfacing as the cover of Rob Barrow and Colin Campbell’s Comicon ‘78 booklet". So that accounts for another piece from the 5 he produced in 1971 mentioned above

And finally one that Dez hasn't mentioned ...yet!

The very kind Ewan Browlow provided this scan of the 1981 Comicon wraparound cover - seen in 1971 above! Skinn wrote:

.. "half of the piece that Bob Monkhouse owned which I have had photographed and was for Comicon 71. The bottom right corner (under claw) has been blocked in to read '81' whereas before it said '71'".

The 1971 logo used here in 1981

Frank Bellamy and Alan Vince

The most recent Eagle Times (Vol 24 No 2 Summer 2011) has a feature by the always interesting Alan Vince.  He profiles some of Bellamy's illustrations in the Radio Times, Sunday Times Colour Magazine supplement, called 'Eureka' and the Daily Mirror. Nice collection of artwork.

The tiger (shown from the article - below) was first shown to the public (to my knowledge) by the reporter Tony Smith on the Northamptonshire Evening Telegraph Thursday 8 May 1980, p.16

 

Tony kindly sent it to me from his scrapbook of cuttings - thus the sellotape - and I'm grateful to him. I have reproduced it below - please excuse the crudeness of the picture!

The interesting thing about the article by Alan Vince is that he reports on a visit to the Hulton House - the home of the Eagle comic, a lady mentioned to him that the Esso for Extra advert was by Bellamy. Alan says here that he had never heard this before or since - and neither have I. However I think I can help clear this up.

In last year's Raymond Sheppard: Master illustrator exhibition catalogue written by Paul Liss (and in which I had a hand) he writes, with the help of Sheppard's daughter, Christine:

© Paul Liss 2010

Knowing Sheppard's work very well, I know that the following is by him too. But you can see where the confused story by the Eagle lady came about as both tigers are striking a similar pose, but this is definitely by Raymond Sheppard, not Bellamy. But I do like all three versions!

Spanish Lady starts in Daily Mirror

Three exciting things this time round (well, at least for me!) including a confession from your Blog writer!

But first...yesterday, "The Wreckers" concluded in the Daily Mirror, in this superbly drawn ending and innuendo-ridden last word from Garth.

© Daily Mirror

Martin Baines, the colourist, on the Daily Mirror's reprinted Garth strips has kindly shared the latest installment - the first - in this magnificent story called the "Spanish Lady". This story has only been reprinted in a series by John Dakin in 1979 in a 900 limited edition black and white reprint, so this may be the first time many people have seen some of this art - especially those under 30 years of age - I'm now feeling very old!

© Daily Mirror

I've shrunk the version Martin sent me for purposes of internet loading, but I think it still shows how his original colouring misses out in letterpress printing, however I still love it and find he does brilliantly understate his work by not overcolouring Bellamy.

That's the first exciting thing - thanks again Martin. I owe you a pint or two!

Now, the second excitement is that coincidentally a sale on eBay comes from this very story.  I'll let the seller describe the piece of original art:

From the story 'The Spanish Lady' from 1976 which was the last complete story that he produced before his untimely death later that year. Code K122. With a great action scene showing far more detail than the much smaller printed version. There is a little discolouring of the white board where it as been framed in the past.

Artwork panels measure 135mm x 520mm. Signed with his distinctive signature and drawn on heavyweight CS10 board. The blacks are very dense, having been inked over many times - sometimes as many as eight - to give the density of black that he required.

I've copied the strip below from the John Dakin reprint - go to eBay for the actual scans - it looks to be in very good condition. I'll add an price update after the sale

© Daily Mirror

UPDATE: Sold for £181.00 with 5 bids (June 2011)
And thirdly and lastly for now, my confession!

When I came back to the job of creating this listing circa 2001 - ask me about it if you don't know - I had copies of the 2 Titan Garth paperback reprints. In the introductions written by Nick Landau, there is a handy checklist of all the Garth strips to appear. Here the problem begins...

I believed them!

In writing today's blog entry, I checked the sequence of the strips for the Spanish Lady as I was surprised by the dates I had on the website (- which I've now corrected). I remember that Ghost Town, Bellamy's favourite Garth strip, was reprinted shortly after his death on 5 July 1976, so how could Landau's dates for the Spanish Lady be right? Landau has the dates and number sequence as K65 (17/03/1976) to K160 (07/08/1976) which would make the story continue for another month before Ghost Town started. I checked a few photocopies I have of the paper and found there was something definitely wrong.

The wonderful Garth: the index by Dave Westaway and friends Geoff Wren and Ann Holmes was far more meticulous and confirmed my fear, correctly listing the dates and numbers as 17/03/1976 - 07/07/1976 - K65-K160 for Spanish Lady. So we have 96 episodes in total for this story.

This was all a terrible revelation to me and proof that I was right to (but inconsistent in) checking everything on the list before launching the website. I'm very unlikely to win the (non-existent) "Steve Holland Bibliographer Lifetime Achievement Award"but confession is good for the soul!

And if I ever get a spare day to re-vamp the website I'll also get rid of the confusing date arrangements to indicate 8 June instead of the confusing 08/06 which my American friends would see as being the 6th of August.

Original Art: Garth on eBay - The Beautiful People

Another eBay sale for you to have a look at. This is a really lovely example of Bellamy's work. Click on the seller's name below for the eBay description

© Daily Mirror

To quote phUKone, the seller:

From the story 'The Beautiful People' from 1976. Code K23.

Artwork is absolutely pristine and is drawn much larger than the printed size. Artwork panels measure 135mm x 520mm. Signed with his distinctive signature and drawn on heavyweight CS10 board. The blacks are very dense, having been inked over many times - sometimes as many as eight - to give the density of black that he required. Hopefully the photos give some idea but obviously can't compare to the original.

UPDATE: Sold for £110.00 (May 2011) with 1 bids

Happy Birthday Frank - More life studies

Life study (Thanks to Paul Vyse)

If you click on this previous post's link, you'll see a few life studies. I have been fortunate to receive a few photos by kind people of their copies of life studies, so thought I'd add to the blog for all to see. And especially as today would have been Frank's 94th birthday and I have a suspicion he enjoyed this part of his work! My thoughts are with Nancy his widow (who will be 89 herself this August) as I'm sure she'll remember today. She's been unwell recently, and a few fans have been visiting and reporting back  We wish you well Nancy.

Life study (Thanks to Paul Vyse)

The two studies were sent to me by Paul Vyse who also owns a Radio Times piece - very beautiful - coming up in a later blog entry. If you're following the reprints of Garth in the Daily Mirror you'll be seeing how Bellamy used his experience of life studies! I must say again that I am enjoying following the newly coloured adventures day by day. The reproduction of Martin Baines' colouring, has certainly got better! Although John Ridgway's colouring is printed on superior paper in Spaceship Away, I also enjoy having newsprint in my hands

The following studies were sent to me after I contacted  Peter Labrow (Author of The Well), as he mentioned on Twitter that he owned a couple of pieces. Peter has an interesting Kindle production on Amazon UK  or Amazon US and can be contacted via his website

Interestingly the first one below (the model holding a chair back),  has a name on the reverse "The model's name is on the back of this one - Angela Mansi - as is the date 22/2/65" which is useful as this confirms that Bellamy was participating in life classes at the Studio Club in Piccadilly at that time.

Thanks to Peter Labrow

Many thanks again top Paul and Peter

Original Art on Comic Book Auctions: Thunderbirds x2

Comic Book Auctions Ltd has launched it Summer 2011 catalogue with bidding closing on Tuesday 7 June 2011 at 8 PM UK Time.

The piece that will be of particular interest to Bellamy fans is Thunderbirds original artwork (1968) from TV Century 21 No 137 - Lot number 216

Lot #216 Original art

Printed version

Thunderbirds original double page artwork drawn and signed by Frank Bellamy for TV Century 21 No 137 Sept 21 1967

The survey ship 'Palmerston' ploughs through icy seas that inexplicably start heating to boiling point. The Thunderbirds space station alerts to their S.O.S. and John Tracy launches Thunderbirds 2 and Gordon takes Thunderbirds 4 to the water. Then suddenly, 'Virgil The Sun - that light! It's - aaagh!'
The green and blue has faded from this piece, the red remains strong. Pelikan inks on board. 18 x 25 ins
£1,000-1,500

Yes, the piece is faded - don't blame the seller, we all have things displayed in our houses, that we like and the sun just keeps on shining - and therefore fading the inks. Those people who are smart (I have faded art so guess which I am!) get a laser copy and mount that and then store the piece away. When I first saw an original that had been stored properly I was absolutely shocked how vibrant the colour gradations were that Bellamy did.

UPDATE: Winning bid incl. 10% Buyer's Premium: £1,815(June 2011) 

There's also Lot # 217

Thunderbirds original artwork by Frank Bellamy from TV Century 21 No 168 1968
The Hood targets the final destruction of Tracy Island but brainwashed Brains is found alive - now he has to be electronically debriefed in the lab - but will he be rescued from the borders of insanity?
The green and blue has faded from this piece. Pelikan inks on board. 16 x 13 ins
£600-800

TV21 #168 Original art

TV21 #168 published version

UPDATE: Winning bid incl. 10% Buyer's Premium: ££968(June 2011)

But the thing that regularly hits me about FB is that he didn't do things easily. He knew the header would be added to his artwork and left space for it, but that didn't mean leaving the space blank. Some examples are more shocking than others, but look at the one above - enlarged below - 

The header is not left blank!

Here's another example from Thunderbirds

The printed header TV21 #164

The original art header

The recent Chris Bentley reprints showed this very clearly wherever the original art was shown without the lettering stuck on. (see Amazon link for details) Next time you look at Thunderbirds take a look behind the header, you'll be surprised what artwork you missed!