Frank Bellamy Checklist Website and Blog

Wednesday, 17 June 2020

Frank Bellamy and Garth in the Daily Record (December, 1971-1973)

Back before Christmas I discovered a mystery - as far I was concerned: a Garth strip was offered that I'd never seen before. It soon came to light that it was from the Daily Record (in Scotland). So before lockdown I had the opportunity to review the Daily Record - God bless the British Library! - and am now writing this up with images to make a bit more sense.

SUMMARY

"G305.5" from Daily Record

This Garth strip featured characters from "The Wreckers" story which ran in the Daily Mirror 26 October 1973 - 18 February 1974 (G255-H41)
The seller noted the strip was numbered "DR.CH.73" and the printers' instructions in pencil written on front state "Daily Record 26-12-73"
With a bit of research I discovered that Scotland and England published different papers on different days over the Christmas/New Year period, so I knew we might have extra Garth strips by Bellamy that I'd not seen in England before.

THE HUNT

As Bellamy started on the Garth strip in July 1971 and died in July 1976 I thought there might be at least one strip for each Christmas / New Year holiday period. Once I found that the Daily Record published on Christmas Day and Boxing Day (where the English counterpart did not) I wanted to see how this looked in the paper.

I then found I needn't worry about Boxing Day in Scotland AFTER 1973 because:

1973 - 2 January was created an additional bank holiday in Scotland by the 1971 Act. However, the provision did not come into effect until 1973.
1974 - New Year's Day became an additional bank holiday in England, Wales and Northern Ireland, and Boxing Day became an additional bank holiday in Scotland. ~ Taken from the archived Government page

I then went through every published Daily Record in December 1971, 1972 and 1973 and noted when it was published and which Garths appeared

1971

Dates of Garth in Daily Record & Daily Mirror 1971

The notes above show the DAY on which the paper was published, its DATE, together with the NUMBERING for "Garth" and "Angus Og" (as that appeared together with "Garth" on the same page in the paper). Lastly the "Garth" notation in the Daily Mirror.

NOTES

It appears that when an Angus Og story finished its numbering changed (as opposed to "Garth" which changed the letter prefix every calendar year, i.e. 1971 = E, 1972 = F, etc.).

Interestingly my first discovery was that everything matched until the Christmas Day issue of the Daily Record. There is an additional strip that didn't appear in the Daily Mirror and it fits between E300 and E301, so I'm calling it "E300.5" - apologies for the poor photo

Garth E300

Garth "E300.5"

Garth E301

I'm going to take a guess and say this is an additional strip drawn by John Allard himself as his lettering looks the same and the art looks like his too. The Perishers strip was labelled "DR.25.12.71" so I'm guessing this didn't appear in England either - oh and by the way, the weekend Perishers strip tended to be coloured! - and as I'm a fan, here that 'missing' one

Perishers Daily Record DR.25.12.71

1972

Dates of Garth in Daily Record & Daily Mirror 1972

1972 got even more scary for me. I'm glad I captured all of December while there! Everything was fine until we get to the Daily Record dated 16 December 1972 where panels get repeated and skipped. I've labelled each panel A, B, and C and compared the Record to the Mirror's numbering

Daily Record 15 - 19 December 1972

F299 A + B panels were not published in Scotland

Garth F299

Why this occurred at this point, I have no idea. Every day was published (no strikes) and we are not yet at 25th December yet.

Garth F303

Talking of which, F303 is the end of the "People of the Abyss" story in England but in Scotland there is another episode rounding it off.

For the first time I present "F303.5"

Garth "F303.5"

1973

Dates of Garth in Daily Record & Daily Mirror 1973

The Christmas day edition of the Daily Record was not published and a note in the Christmas Eve edition says "We'll be back Wednesday" which is Boxing Day 26 December 1973 and here is where this hunt started with Rhona Flin offering this Garth for sale last year.

Garth "G305.5" or "DR CH 73"

CONCLUSION

So the Daily Record had some different Garth strips from the Daily Mirror, the paper that hired Frank Bellamy. It appears in these three Decembers that Bellamy produced 2 episodes and Allard one. Unfortunately both John and Frank are no longer with us to ask about this. John Allard will certainly have known about this different publishing schedule as he produced one episode in the time period I examined, during the Bellamy run - which stands out a mile due to the difference in style.

THE FUTURE

Looking at the history and outline of Public Holidays in Scotland, I feel it will be a long time before I look at the rest of the Garth publishing in the Daily Record but I'm happy to give others credit if they share the information!

[UPDATE DECEMBER 2020: A website for Angus Og now exists: www.AngusOg.scot]

Thursday, 4 June 2020

Masters of British Comic Art - Review

Cover by Brian Bolland

This is a long indulgent piece from me - a love letter of sorts to David Roach or more specifically his work in mapping artists and comic history. Let me say before I start, as soon as you create something there are people who will criticise and that's fine as long as it's done constructively. So hopefully I'll be one of those, as I love this book!

I bought this book because I loved the way David Roach shares his passion for illustrative art in magazines, fine art and comics on social media. I'd read his previous book done in a similar vein: "Masters of Spanish Comic Book Art". The first part is text of the history of comic art with loads of facts, dates, and personalities. The second part is an alphabetical showcase, or gallery of top quality reproductions of artists' works - most from original art. This book is similar but he does break it up slightly by having a 21st century section later in the book with a similar introduction and art.

Now I know a thing or two about UK comics of the 1960s-1970s but would by no means think myself an expert - except in Frank Bellamy's work. The history section - beginning right at the start of 1825 - has a tone that speaks of knowledge and the love of making connections, for example at the start of Chapter Two ("It's a funny old world"), David says "For the next forty years nothing happened". That's a bold statement but once one thinks about it in the context of what he writes, he's right. I'd never made the connection before! The range of artists and comic titles included will let hardly anyone down. The beauty of the book lies in the illustrations too. Every page in colour and with Roach's catholic tastes well represented.

Full disclosure: He meant to say 'total geeks'!

The artwork is first class in many ways - the choice, the reproduction and seeing some for the first time, gorgeous. I expect a rise in interest to occur in some artists as a result of this book - surely Roach's aim achieved! I've loved Mike Hubbard's work, after 'borrowing' my sister's Princess Tina and reading "Jane Bond" and also the strip "Alona, the wild one" drawn by Leslie Otway. But some of the 40s and 50s artists were new to me and they are gorgeous. Bellamy is very well represented.

Masters of British Comic Art p.50

I've listed all the appearances in the book of Frank Bellamy's work on my Articles about Frank Bellamy page and repeat them here for convenience:

pp.49-50 (within "Chapter 5: The Golden Age")

"Heros" Eagle Vol.15:31;
"Thunderbirds" TV21 #68, p2

pp.84-85 (within "Chapter 8: Newspaper Strips")

"Garth" G156

pp. 146-152 (within the "Artists Gallery") -

"Dan Dare: Project Nimbus", Eagle Vol. 11:21;
"Fraser of Africa" Eagle Vol. 12:21;
"Only the brave" Eagle Vol. 13:38;
"Ghost World" Boy's World Vol.1:46;
"Heros" Eagle Vol. 14:15;
"Thunderbirds" TV21 #232, p2

But all is not well. I may be getting old but the spelling of Tattler, the capitals (The Mirror, rather than 'the Mirror' in the middle of a sentence), simple typos (Pip, Squeak and Wifred = Wilfred) phrases look to be translated (which I doubt) e.g. "dispersing [rather than "dispensing"] with borders entirely" and the many stray inverted commas, all annoy me personally. I desperately want to know (p.84) what notoriety Conrad Frost went onto - I didn't see it in the text later on - as Bellamy and Frost worked together in the late 60s. There are many typos but none more aggravating to a Bellamy fan than "Frazer of Africa" - even though it's very common. But these can be overlooked in such an exhaustive work (exhausting too when held in the hands - it's so heavy!). I was very grateful for the bookmark too - a silly little thing but lovely.

Errors spotted - Sparky started in 1965 not 1967 (p.14), I happened to buy one and the eponymous character appeared in the first issue; Hampson's work was called 'The Road of Courage' not 'to Courage', some Christians may be offended by the thought of Jesus needing to build up courage!

Masters of British Comic Art pp.84-85

The biggest failing, I discovered very soon into the text - no index. That would be such a research aid to future comic historians. I could find that reference to Conrad Frost so much easier. There's a piece of information on Tom Kerr which appears in the text, telling us he worked on D.C. Thomson's nursery line of comics, but where? (page 28). If Google Books indexes this, we may find it but it's still simpler to have it in the book! I wonder how many names are mentioned in this book? Also I was surprised not to see a Contents page. A little thing, but did you know this book includes a look at Underground, American and Newspaper Strips? Well that's what a Contents Page is for - there is none. These days with the Amazon "Look Inside" facility, it would seem essential to me.

I can't imagine how you would go about choosing artwork for such a book. I know from his Facebook page that David asked Facebook followers what they would include. He has final say and I'm not arguing. However, I looked for Parlett's work when he says "Reg Parlett worked for almost all the new humor comics" (an index would have helped!) but pages 18-19 only have 2 Baxendale examples. How would he have worked a small image in the text section to accompany comments on Baxendale and Reg Parlett? My mind is blown thinking of the logistics, so he can be forgiven.

Let me finish with telling you that I LOVE this book. All the moans above are trifling but highlight how the book could have been an even better book. It's certainly a lot better than some older more famous books on British comic art and we should all thank David for his brilliant work. Putting together such a lot of facts, stories, artwork and not making mistakes in some areas would be a miracle.

I might even have created errors here myself! let me know if I have!

Sunday, 24 May 2020

ORIGINAL ART: Thunderbirds TV21 #143

Thunderbirds from TV21 #143 (page 1)

I had an email from someone letting me know that they were selling this piece of Thunderbirds artwork. It's up now online in an auction from Windsor Auctions - available via The Saleroom. Windsor Auctions have been tweeting about it in various disguises on Twitter for a few weeks and the catalogue is now available.

Close-up

Windsor Auctions have no need of a lengthy description and like most auction houses, they keep it to a bare minimum:

Storyboard artwork from Thunderbirds "The Earthquake Maker" TV21 No 143 - No3 1967 by the famous artist Frank Bellamy

But 'storyboard' is really reserved for films, I would think! Gerry Anderson fans might like to peruse the rest of the auction as there are some pretty unique items there!

Here are the printed pages for that issue of TV21 with some lovely iconic images of Thunderbird One and Thunderbird Two

UPDATE
I've been informed by the seller that he sold it after the estimate was not reached for £900

AUCTION SUMMARY

THUNDERBIRDS
WHERE?: Windsor Auctions / The Saleroom
Estimate: £1,200 -£1,400
STARTING BID: £
ENDING PRICE: £ Unsold - Sold later for £900
END DATE: Saturday 30 May 2020

Sunday, 17 May 2020

ALL CHANGE ON FRANK BELLAMY'S BIRTHDAY

*******UPDATE*******
Frank Bellamy's gracious Daughter-in-Law. Tessa Bellamy has politely reminded me Frank's birthday is 21 May. Having moved so much data across to Blogger and having had so many technical difficulties, I think I went completely daft and said it was on the 17 May!

Sorry for any confusion!

Frank Bellamy was born on Monday 21 May 1917. He would have been 103 this Thursday 21 May 2020

Today I say "www.frankbellamy.co.uk is dead! Long live www.frankbellamy.co.uk!"
The old site looked like this in 2007 when I first published my checklist of Bellamy's work:

Soon after the launch, the second email (if I remember correctly) I received was along the lines of "An FB site with no pictures. What a joke!". Well, despite the "encouragement", I didn't give up immediately but realised I would have to update people about additions and corrections to the checklist and thus was born the blog (with the address of frankbellamy.blogspot.com). As blogging grew I realised that my concerns about copyright seemed odd as everyone everywhere in the blogging world was publishing whole series of images and all I wanted to do was some images. Back then when searching Google there was little on the images results page for Bellamy, but now...well!

As time went on I preferred working on the blog (and having some HTML knowledge helped me line images up properly and figure out why white space appeared in strange places). Then Wordpress grew and content management systems seemed so much easier to use. I was bored with the old website and despite having the forethought to use CSS to create the theme, so I could easily switch the look, the CSS language changed (as did HTML). I hated updating the site as it looked so old - much like the image above!

I retired in 2019 and wondered what to do. I seriously looked at getting the site hosted elsewhere and using Wordpress. But the annual bill for FB.co.uk was increasing and I did not want to beg for money. The majority of hits on the site were 'robots' crawling for search engines and other reasons.

Radio Times (24 November 1973 - 30 November 1973)
I cut my copy from our family RT!

The programme listing

I think my wife, in conversation about this, might have said "no-one but you is really interested in such a list" and also talking to a hard-core Bellamy fan who said in passing "haven't looked at the blog either in ages, really should" I realised it was time!

Then came the lockdown. Corona Virus spread and we were in lockdown.

Now was decision time. A moment of inspiration came to me when talking to my wonderful wife! "I could just put the checklist on the blog page", I innocently said. THEN I realised what I'd said. "Page" was the operative word. See that tab at the top of this page (if on a PC or Mac not mobile!) for FB Art - Sales and Auctions" - that's a 'page' not a 'post' - like a "sticky" page, it's there always.

So allow me to announce the new website https://www.frankbellamy.co.uk here.
Ditch any links you have to Blogspot - they will work but due to a technical issue you'll be told:

Warning over insecure site

This has annoyed a lot of bloggers who have no insecure content and also are, like myself hosted by Blogger / Google! If you do see this, let me assure you, it's safe on my site! If I find references in my blog and pages to that address I'm changing them to the new address. But it's easier for me to tell you to use https://www.frankbellamy.co.uk
Got the message - use this address and you see the blog by default and then can use the Checklist index if you want to!

Here's what the mobile view looks like - the first "Home" shows the tab - for the "Sales and Auctions". The 2nd "Home" shows the Checklist pages. You'll find links from there to places on the blog I've published images already (and some new ones I haven't shouted about). Looks odd but now I've done the bulk of the work, I can concentrate on the appearance etc. I have about 90% of what was on the old website on here now. You won't notice anything but for my satisfaction I'll finish that off and then carry on!

Always happy to receive feedback (in fact need it to carry on!) at the usual address (look under my picture on this page)

By the way, the reason for showing the images above is that I see the Radio Times have dug out some of the Bellamy related materials including some of the photo shoot at Bellamy's home.

LONG LIVE https://www.frankbellamy.co.uk

Friday, 15 May 2020

ORIGINAL ART: Garth and Thunderbirds

TV21 #176 "Thunderbirds" page 2

STOP - don't gloss over the image. Just hesitate for a moment. Enlarge the image. Sit and look. What design! What colours! What artistry!

This "Thunderbirds" episode from TV21 #176 is on Compal's auction this month. What a lovingly preserved piece. The colours look like they did the day Frank Bellamy delivered this to the TV21 offices! I've put this and the first page - as printed - below for you to read and compare but to be honest the printing did well. The bidding is going to be high as it's already started at £1,080! Don't worry, you won't be bidding against me!

As usual Malcolm Phillips, whom I'm yet to meet, runs Compal Auctions and puts a catalogue on his website (and after the sale a very helpful review) and also uses The Saleroom for the auction itself which ends Sunday 7 June.

THUNDERBIRDS: TV21 #176 page 2

Malcolm Phillips describes it thus:

Thunderbirds original artwork (1968) drawn, painted and signed by Frank Bellamy for TV21 No 176. Two marathon runners are kidnapped by Lavan Morgan. Scott Tracy tracks them down to the Atlas Mountains in North Africa… and is also captured. Under pain of death they must race to retrieve the long lost pirate gold before the volcano explodes. Bright Pelikan inks on board. 15 x 18 ins

As promised here are the published pages from TV21 published 52 years ago - where has the time gone - half a century?!

"Thunderbirds" TV21 #176 page 10

"Thunderbirds" TV21 #176 page 11

GARTH: The Doomsmen - 3 consecutive episodes

Garth: The Doomsmen -episodes J149-J151

The Garth story "The Doomsmen" ran in the Daily Mirror from 3 May 1975 - 15 August 1975 #(J102-J191) and these three pieces - unusual to see consecutive strips for sale - show the dynamism of Frank Bellamy's art. Imagine having to create these strips 6 every week in such a small space!

The auction description:

Garth: The Doomsmen. 3 original consecutive artworks (1976) drawn and signed by Frank Bellamy for the Daily Mirror 27-30th June 1976. Indian ink on board. 21 x 7 ins (x3)

I think the 'fade' on the top strip is likely to be the flash from the camera as I have never seen an original Garth fade.

AUCTION SUMMARY

THUNDERBIRDS
WHERE?: Compal/Saleroom
STARTING BID: £1080
ENDING PRICE: £1900
END DATE: Sunday 7 June 2020

GARTH: The Doomsmen 3 consecutive episodes
WHERE?: Compal/Saleroom
STARTING BID: £640
ENDING PRICE: £820
END DATE: Sunday 7 June 2020

Thursday, 23 April 2020

Frank Bellamy and Kettering Leader and Guardian (PART TWO)

I've previously written about the Kettering Leader and Guardian and thought I'd show you all the images I've collected from it...so far! Lockdown means no British Library visits unfortunately but it does mean more time in your garden! Me? In MY garden? They call me 'Black-finger Boyd'!

All these images are from the Kettering Leader and Guardian 1947 and some of the gags work still in the 21st century; some don't. And do not sue me if these tips don't work for you!